As some of you know, I have long been a proponent of women riding their own bikes, so I pay attention to articles like the one posted below. Karan Andrea would have been an interesting person in her own right, for her determination and accomplishments, but she also had the good sense to fall in love with another 1974 Shovelhead, which makes her my sister…. or sister-in-law, at least. 😏
Riding, Wrenching, & Empowerment
Antique Motorcycle Club of America Riveters Chapter founder Karan Andrea brought a vintage Harley back to life, despite all odds
Note: per the Riveter Chapter’s website, they will host a run to Berea, Kentucky May 30 – June 2, 2023. Visit them at https://www.riveterchapter.com/ for more info.
AMCA Riveter Founder’s Herstory
I started riding motorcycles in 2011 when I was 45 years old. Prior to that, I hadn’t been around bikes all that much. I never rode dirt bikes and didn’t have a parent or relative who rode. When I was 19 years old, I dated a guy for a minute who had a Yamaha Virago. I rode with him a few times and loved it! But after we broke up, I didn’t have the opportunity to ride a motorcycle again for 25 years.
At that point, I had a friend who had a motorcycle who was going through a rough patch in life. The only solace he had was riding, but he had a hard time getting himself to leave the house to go for a ride. I started asking him to take me for rides. I’d cover the gas, and we’d ride for hours.
After a while, he said, ‘You know, if you like riding that much, why don’t you get your license and get your own bike. That way, you don’t have to date some asshole in order to ride.’ My answer was, ‘I can do that?’ It never occurred to me that I could learn to ride a motorcycle. I had no idea how one learned to ride, but in some part of my mind I think I assumed that if you were a dude, you just automatically knew how, so of course I did not know how. I didn’t know any women who rode, although that wasn’t a huge factor because I’ve always done things that were non-traditional for a woman.
Learning to Ride a Motorcycle
My friend told me about a motorcycle class for beginners, and I went for it. I was a nervous wreck. I have no idea how I passed the riding evaluation, but I did it. There I was, an endorsed rider with no friggin’ clue how to ride a motorcycle. This is not a shortcoming of the class at all. The beginner’s class teaches you how to operate a motorcycle and teaches you the basics of safety, but we never went beyond the parking lot.
The only way to learn to ride a motorcycle, is to ride a motorcycle. Karan, meet anxiety, anxiety, Karan. The next three years were a struggle. I bought the wrong bike, was getting (no) help from the wrong person, and I just never felt comfortable riding. But I wanted to ride so badly, that I refused to give up.
When I left a damaging relationship in 2018, I was left with a 1974 Harley-Davidson FLH Shovelhead in my garage that was the most terrifying beast I had ever faced. That motorcycle needed a lot of work. It was barely ridable as it sat, and even after I conquered my fear and rode it, it was a physically exhausting—but strangely exhilarating—adventure. Along with needing major motor, clutch, transmission, and fork work, the bike needed to be completely rewired. Wrenching still intimidates me even though I will do it, but wiring… I was pretty sure I could do that.
Quite a few people told me I was crazy and that I would get frustrated and end up hauling it to a shop for them to finish. They said I didn’t know what I was doing, and I would screw it up and would never finish the job. My answer was, “So what? I’m gonna try.”
I did get some help (although it was the wrong help) and I built up some confidence. I taught myself how to read an electrical diagram and learned to trust my instincts with the bike, people, and myself. I finally finished the rewire job and took the Shovel on its first journey. I did a 1,000-mile trip, fixed a few things along the way, and never felt more in control of myself and my bike.
Again, people told me I was crazy to travel on this old motorcycle. What was I going to do if it broke down? My answer was always the same, “I will figure it out.” My second trip on the Shovelhead was 2,000 miles. During both trips the bike had minor problems, but I got some fabulous stories out of it, and I was forming a bond with that old Harley that I had never had with any other vehicle I have ever owned.
Nothing about riding or wrenching has come easily. I am grateful to the short list of people who have been so generous with information, advice, parts, and encouragement. I am also grateful to the longer list of people who tried to derail me, who said I’d never succeed, who tried to sabotage my efforts. Because in the end, I have shown myself who I am.
As I read Karan’s article, I found two lines that really spoke to me, because they so perfectly mirror my own feelings. First, Karan wrote that, after teaching herself to rebuild and rewire the bike, she:
‘…took the Shovel on its first journey. I did a 1,000-mile trip, fixed a few things along the way, and never felt more in control of myself and my bike.’
That sense of competence and control Karan cites – the sensation I get from knowing my Shovelhead inside and out – is so precious to me. I’m pleased to know it is to her, as well.
She follows that by saying:
‘Again, people told me I was crazy to travel on this old motorcycle. What was I going to do if it broke down? My answer was always the same, “I will figure it out.” My second trip on the Shovelhead was 2,000 miles. During both trips the bike had minor problems, but I got some fabulous stories out of it, and I was forming a bond with that old Harley that I had never had with any other vehicle I have ever owned.’
The bond Karan mentions is why I still get loquacious AF about my Shovelhead after all these years. See previous post, f’rinstance. What can I say? 🤷♀️ The Bitch is in my blood, and my blood, sweat and tears are in hers. 😁
Thank you, Karan Andrea and Women Riders Now for sharing that essay with us. Sláinte!
‘Art is eternal, for it reveals the inner landscape, which is the soul of man’ – – Martha Graham, Dancer and Choreographer – –
The very first article I ever published appeared in Easyriders, the groundbreaking magazine which was at once the LIFE, Saturday Evening Post and Reader’s Digest of the outlaw biker set. I wrote about tattoo removal – a topic I thought some readers might find interesting – after an encounter with a dermatologist at a Veteran’s Administration hospital in Hastings, Nebraska, who told me about a then-new technique for obliterating unwanted tattoos via laser. I won’t bore you with the details – the information is all woefully outdated anyway – but I ended my piece with the words
‘These days, even art is not eternal.’
However, barring catastrophic circumstances like the 9/11 attacks on the World Trade Center, where – in addition to thousands of lives, including my cousin Eddie – an estimated $110 million worth of art was destroyed, or the Taliban’s deliberate destruction of The Buddhas of Bamiyan, art really is eternal….
….and even those pieces lost or destroyed live on in memory.
….and all this to say ‘Hey! I got some cool stuff to show ya!’
IN THE BEGINNING….
I don’t know who first attempted to paint or draw images of the biker life, but Dave Mann was certainly a pioneer. After selling some early paintings of biker life to Choppers magazine founder Ed ‘Big Daddy’ Roth (creator of the iconic ‘Rat Fink’ and a number of radically customized cars and motorcycles), Mann join the El Forastero Motorcycle Club (forastero is ‘stranger’ or ‘foreigner’ in Spanish) as a charter member of the club’s Kansas City MO chapter.
In 1971 Mann answered an advert for a ‘motorcycle artist’, discovered in the back pages of a new biker magazine called Easyriders, and spent the remainder of his working life as in-house artist for the publication. His first centerfold painting for Easyriders appeared in October, 1971, and Mann reportedly produced artwork – centerfold paintings, story illustrations and adverts – for every issue from that first to his retirement in 2003, shortly before he passed away. His final piece, Sunset, appeared in the May 2004 issue.
His earliest works were primitive – a cross between illustration and caricature – but as he gained experience Mann’s work took on a style reminiscent of the American painter Edward Hopper, who is best known for his iconic Nighthawks(1942). Look at the figures in Hopper’s work, and compare them to Mann’s. I certainly see the influence.
More than technique or style, however, Hopper and Mann shared the desire to illustrate and elevate the prosaic, the quotidian, the mundane everyday doings of regular people historically overlooked by representational artists. For Hopper it might be patrons seated in a late-night diner – an apparent oasis of light and warmth in an otherwise dreary cityscape – sharing space and yet isolated from one another, silent, bored. For Mann it could be the streetwalker ignoring her john to watch the more attractive, more enticing biker cruise by on his radical panhead chopper. Hopper might present a sweet moment between a young couple on a dark summer evening – you can almost hear the crickets singing – while Mann’s swain straddles a raked and stretched shovelhead as he chats up the object of his affections on a crisp autumn afternoon….
You get the point.
And by ‘centerfold’ I merely refer to the fact that Mann’s work appeared in the center pages of each issue, where it could be removed (as so many of us did) and turned into a poster. Although many of his paintings included idealized images of women, his purpose was to document our lives as bikers, not provide masturbation motivation for horny teenagers!
STRAIGHT ON FOR YOU!
One perspective Mann relied on was full frontal….
Here is another of my favorites, a classic piece by Dave Mann:
Mann returned to that theme many times in his career.
….as did Mann’s ‘Pacific Coast Highway Run’.
Another favorite was the reverse: the motorcycle moving in a straight line away from the viewer. He used both angles to great effect.
Mann’s follow-up to Coming at You appeared in a Jammers Handbook. Mann’s attention to detail extended even to the smallest things, like the oil spatter up this passenger’s left shoulder, excess lubricant slung off the rear drive chain at speed. You could always spot a biker chick by those chain tracks, and you could tell if she was packin’ on a Big Twin or Sporty by which shoulder was marked. I pissed off more than one woman passenger when their nicest tops ended up ruined that way! 🤷♀️
THE DAYS OF OUR LIVES
Mann’s technical abilities as an artist are undeniable but, as clearly demonstrated here, for those of us who ride it was Mann’s ability to illustrate the everyday aspects of our lives as bikers which so endeared him to us. He captured the emotional element – the ‘inner landscape’ Ms. Graham referenced in her quote – in painting after painting.. It might be two bikers blasting down an L.A. freeway, beards and club colors flapping in the wind, as one passes a joint to the other.
It might be a biker on his low, lean, radically stretched chopper, glaring balefully at the cop writing out a traffic ticket.
It might be a woman frustrated and angry because her old man, the insensitive prick, just passed a beer joint when she desperately needed a potty break….
….or another one of my favorites. showing a woman curled up against her man’s back, safe and secure and sleepy after a weekend of riding and camping out under the stars, while he steers his radical chopper back to the brightly-lit city in the distance.
One of Dave Mann’s most iconic images has been stolen and reproduced on everything from t-shirts and coffee mugs to wall tapestries, area rugs and more. In ‘Ghost Rider’ Mann equates the hard-riding biker at the foreground to the hard-riding ghostly cowboy keeping pace with him. Some of the later reproductions went the politically correct route of erasing the SS lightning bolts Mann’s biker has on his fuel tank….
….and that’s a topic for a whole ‘nother post! 😎
Mann covered breakdowns and break-ups, club life and solo riders, sleek choppers and road-warrior rat bikes, and brought to each painting the same skill and dedication to detail. He was our Frederic Remington, and we loved him for it.
Another favorite. Anyone who rides very long at all has been in a similar situation….
….but try to make the best of it! 😆
BREAKING DOWN AND CRACKING UP!
Paul Simon once sang ‘Everything put together sooner or later falls apart,’ and that’s as true of motorcycles as anything else. In numerous paintings, Dave Mann captured the frustration and helplessness of that instant when your machine fails, and you realize there’s nothing you can do about it except sit and wait, or go for help.
In the early ’80s, on a ride through the Central Texas Hill Country southwest of Austin, I stripped the teeth off my primary drive belt while pulling up a steep hill. Thankfully, I wasn’t alone. It grieved me to interrupt my friends’ ride that way, but I was stuck.
BTW, that was one of the very few times my shovelhead rode home in the back of a truck.
One of the reasons I have always been psychotic about building my bikes to be bulletproof, and making sure I can fix all but the worst breakdowns with tools and spare parts in my road kit is because I cannot stand to be that helpless, hapless rider stranded beside the road. I’d rather have people depend on me than have to impose on friends or, worse still, depend on the kindness of strangers.
In this instance, when I got the bike home and went to replace the wasted primary belt, I learned that I couldn’t have replaced the belt by the side of the road even if I’d had a spare belt with me; that the inner primary cover (which can’t be removed without an impact wrench and clutch-hub puller) wouldn’t let me take the belt off the engine pulley! Since I had the inner primary cover off anyway, I took the opportunity to grind down the bosses on the inner primary so that I couldtake the belt off without removing the inner primary. That’s just how I roll! 😁
As an aside: I will never understand why some riders get angrywhen I mention tool kits and roadside repairs in that context. Seems to me everyone is better off if I can fix the problem by the side of the road and get on with the ride, rather than be forced to wait for a wrecker or a buddy with a trailer to come fetch me. Still, I’ve had riders – every one of them the sort I call ‘Born Again Bikers’ – get absolutely incensed at the notion that I am capable in that regard, as if my competence was – dare I say it? – a challenge to their manhood…. 🙄
And that’s a whole ‘nother post, too! 😏
Of course, it could be worse. You could be well and truly fucked, like this poor couple….
However, if you’re lucky enough to break down while riding with others, the Biker’s Code says ‘No biker left behind.’ By hook or crook or boot or rope, you’re both getting home.
And if all else fails….
Another scene most riders will recognize (or cringe from): the bike that just…. Will. Not. Start! I’ve never owned a Sportster, but I started my share during my years of working at Bud’s. I’ve also been that pissed at my shovel, when it’s been particularly coldblooded and cantankerous. Fortunately for me, those instances have been few and far between….
….and the next sound you hear will be me knockin’ on wood! 😱
Sadly, our machines aren’t the only things that betray us.
Bikers are all too familiar with the cager who seems to have it in for us. Popular wisdom advises riders Don’t ride as if they can’t see you; ride as if they’re aiming for you! Unfortunately, I know from bitter experience that sometimes they actually are aiming for us!
But if one of the bastards gets you, what can you do but heal as best you can, and dream of getting back in the wind where you belong.
If you’ve ever built a motorcycle, you’ll recognize the anguished look on this fellow’s face, as he watches his freshly painted fuel tank head for a collision with the garage floor.
Mayhaps he needs a helper. Maybe a curvaceous blonde? Someone half-naked, perhaps? Yeah, that’ll do the trick! 😆
In Mann’s art, women are primarily placed in secondary roles as backrests, bike washers, beer fetchers and sexual conquests. In Mann’s world, women rarely ride their own. In fact, of the hundreds of paintings Mann produced, I’ve only found a baker’s dozen thus far depicting women riders. However, to his credit, man or woman, when he painted them he brought the same skills, artistic integrity and vision to bear.
Finally, what could be finer than doing something you love, like riding, and looking over to see the person you most love in this world enjoying the same thing?
I FOUGHT THE LAW AND THE LAW WON!
One of the downsides of biker life is the occasional brush with the law.
I’ve gotten a couple of these over the years. One was right after I’d installed brand new mufflers on my bike! Turns out I was riding my motorcycle in that trooper’s personal ‘No Biker Zone’. I’ve learned there are a lot of those in this state. 🙄 I’ve come to see ‘too loud’ tickets as a sort of ‘road-use tax’; nothing to do but pay the piper.
My best road dog learned that the hard way. We were jamming through West Texas enroute to the Four Corners region when we were tagged by a state trooper near Sweetwater, Texas. On a busy Interstate Highway packed full of noisy highballing tractor-trailers and speeding cagers, he spotted us coming the opposite direction, doubled back and pulled us over. He actually claimed he could hear our exhausts over the noise of the semis and pickup trucks, despite the fact that my exhaust system was in excellent condition, and my partner’s was almost new. The trooper ignored the modified pickup that blasted past us as we stood there (leaving us all with tinnitus) and wrote us both tickets for ‘exhaust too loud.’
The first time I received a ‘too loud’ ticket, over a decade earlier, I was incensed because, as it happened, my mufflers were brand-new at the time. How could this asshole write me a ticket? I went so far as to call the Attorney General’s office, to see if this was even legal, and was told the law leaves ‘too loud’ to the discretion of the officer making the traffic stop. How can you argue against that in a court of law? You can’t, so I paid up, and gained the ‘road-use tax’ perspective.
In the Sweetwater incident, I paid my fine before we left the jurisdiction. I am scrupulous about such things, because I never want to give a cop an excuse, like an unpaid traffic ticket, to pull me off my bike. If they want me they’re gonna have to make something up!
However, my partner, who had never been through this, was overcome with righteous indignation, and swore he’d fight this outrage. Sure enough, when we got back from our week on the road, he had his motorcycle inspected, gathered all pertinent documentation, closed his clinic for two days and hied himself out to Sweetwater to wage war against injustice.
The upshot? He lost two days out of his practice, the cost of travel to Sweetwater and overnight accommodations, and had to pay a fine and ‘court costs’ amounting to more than three times what I’d paid the day I got the ticket. I refrained from saying ‘I told you so,‘ but I did tell him so! 😆 As I said: nothing to do but pay the piper and get on down the road.
A final note: I mentioned the Sweetwater stop to my attorney at the time, who specialized in motorcycle-related law, and he said ‘Oh, that was Trooper _______.’ Apparently, the fellow who stopped us was renowned statewide for his hatred of bikers. 🤷♀️ Whatcha gonna do?
We’ve all had close calls like this one, too.
But sometimes the heat is more than just an inconvenient traffic stop or speeding ticket. Too many bikers have wasted years inside prison walls, and Mann showed their lives, as well.
On a brighter note, here Mann captures the joy on a rider’s face as he clears those gates. The first things he sees are his girl, a bottle of Jack, and his prized shovelhead chop. As an added bonus: Dave Mann and Jacquie stand at far right, ready to welcome him back to the world.
Mann knew the history of our tribe, too, from the streets of Hollister, where it all began….
….through the early days of the custom bike scene.
A RABBIT HOLE:
If you’ll excuse me, I’m going to go down a rabbit hole for just a moment, to show you another painstaking replica: the late tattoo artist Richiepan’s reproduction of Dave Mann’s own red rigid-framed shovelhead, as pictured below.
So many incredible paintings, but one of the images that most touches me is this, depicting a rider on his rigid shovelhead; the rider and bike from Ghost Rider, sans SS lightning bolts and cowboy. This time, the biker is alone in the desert hills, but the shadow behind him tells us he’s missing his woman, wishing she were still packing behind him for the long ride, tucked in behind him where she belongs. The tattoo on his arm and the title – In Memory Of… – suggest that she’s not just out of his life, but altogether gone from this world. So much emotion and history packed into one small frame!
Thankfully, I’ve never lost a lover to death, but I do know the ache of yearning for something you once possessed, and will never have again.
Finally, another appearance by the artist himself.
DAVID WILLIAM MANN, September 10th, 1940 to September 11th, 2004. R.I.P.
Greetings, y’all. You might say I’ve been busy lately – flooded home, reconstruction, dealing with ongoing pain and disability from my catastrophic work accident in 2004 – but I haven’t forgotten this site, or the things I still hope I might accomplish here. Anyhoo…
There’s a fellow who does some really fun stuff with what he calls “Rejected Princesses”: strong, often rebellious and even violent women who violate the gender norms of their day and challenge the male-dominated societies in which they lived; wild women who blaze their own paths and fight their own battles; women that Walt Disney and company would never consider for cutesy movies, clothing lines and toy tie-ins a la Snow White, Cinderella, Ariel, Pocahontas and Mulan. His name is Jason Porath, he hangs out over at Rejected Princesses, and as a son, brother, husband and erstwhile stepfather to some pretty amazing women, I really, really enjoy his work.
Jason has honored women like baseball pitcher Jackie Mitchell, the seventeen year old woman who, in 1931, struck out New York Yankees hitters Babe Ruth and Lou Gehrig, back to back, before being pulled from the game, quite possibly for embarrassing the two stars. Then there’s Lyudmila Pavlichenko, the young Russian woman who, in World War Two, energized by the Germans’ destruction of her University, became the deadliest female sniper in history (in a cadre of deadly women snipers that Russia fielded to fend off the Nazis, Lyudmila took out 309 of the bastards) and later became friends with American First Lady Eleanor Roosevelt. Or howzabout Rosalind Franklin, who made the discovery of DNA possible with her pioneering work in X-Ray diffraction (whatever the devil that is!) and was promptly ignored and even posthumously insulted by the pompous asses who claimed the resulting Nobel Prize for themselves.
Jason even delves into ancient history, with women like Hypatia, the first female mathematician in recorded history, and mythology, with women like Iara, the Brazilian warrior woman who was murdered by her own father – tossed in a river to drown – and subsequently turned into a mermaid by sympathetic fish, so she could sing a siren song that drove men mad with desire. The entire site is chock-a-block with stories like these, and pretty cool Disney-styled portraits of the women in question. Jason’s also published a book, Rejected Princesses: Tales of History’s Boldest Heroines, Hellions and Heretics, and is working on a second volume.
So, what does all this have to do with motorcycling?
Not a damned thing, except that, just today, I took a moment to suggest two new heroines for Jason’s files; two women well-known to those of us who read the history of motorcycling. My entry is reproduced below, and if Jason should opt to honor one or more of the women I mention, I’ll be back here ASAP to announce it. Meanwhile, take a stroll over to Rejected Princesses and poke around a bit. As internet time-sucks go, it’s one of the more entertaining and enlightening sites out there.
There are two women who loom large in the world of motorcycling – the world I’ve lived in since I was seven years old (55 years ago) and got my first ride on the back of a neighbor boy’s bike.
Dot was NOT the first lady of motorcycling, despite the title – by the end of the 20th Century’s first decade women were already making their mark in the world of motorcycling by taking cross-country trips (well before the advent of the Lincoln Highway, Route 66, the Interstate System, or even “luxuries” like motels and motorcycle repair shops every 10th of a mile along the way) and acting as ambassadors for the sport and lifestyle of motorcycling – but Dot DID do a lot to further women’s participation.
Bessie was an African-American woman who took numerous solo motorcycle trips across America during the Jim Crow era, when “uppity” blacks were getting lynched and jailed at an appalling rate. She apparently never lost her joyful approach to life and motorcycling.
There are other women, like Effie and Avis Hotchkiss, Adeline and Augusta Van Buren and Della Crewe – some of those early pioneers cited above – who are also worthy of mention, but Bessie and Dot are two of better-known women ‘cyclists.
Anyhoo, I love the work you do. I was one of the folks who pre-ordered the first RP book, and am looking forward to the second. I hope you’ll consider honoring one, both or ALL of these fantastic women. If I may be of assistance in any way, please don’t hesitate to contact me.
Bill J. from Austin
UPDATE: I’m a little slow getting this posted here (what else is new?) but I promised an update when I heard back from Jason Porath, and here ’tis. I actually heard back from Jason almost immediately, and he told me:
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