WTF is MMMoMMA?

Some of you may have heard me mention that I am the founder, curator, chief cook and bottle-washer of a little thing I like to call MMMoMMA. New York City has MOMA, aka the Museum of Modern Art, and Central Texas has MMMoMMA, aka My Miniature Museum of Modern Motorcycle Art. 😎

The entryway to MMMoMMA featured works by (from top left) Norman Bean, Sara Ray, Jim Lightfoot, James Guçwa, Damian Fulton, John Guillemette and a piece titled Triumph of Love by an artist whose name escapes me in the moment (and my sincerest apologies to that artist for my brain fade). The collection is temporarily in storage as we seek larger quarters, or I’d just step out in the entryway and tell you their name.â€‚đŸ€·đŸ»â€â™€ïžâ€‚At right, several photographs of your humble narrator, an original dealership postcard announcing the release of the 1953 model-year Harley-Davidsons, and a fine miniature of a slabside shovel by yet another artist whose name escapes me. I swear I’ll be better about this when we reopen the Museum, honest!
A small sampling of the rotating exhibit at MMMoMMA, including David Uhl’s The Enthusiast, a long-time fave, and the piece at lower right by Ian at HotRodPencil on Etsy, personalized with the Shovel Shop name.


One of my favorite tasks at MMMoMMA is spotting those excellent artists who capture our lives and lifestyle (and motorcycles) in their chosen media, be it painting, photography, sculpture, film….

Veer Left by Lyndell Dean Wolff is the painting, more than any other, that I’m craving for my collection


….and an artist I spotted a while back is one Lyndell Dean Wolff, a California-based artist who has done some incredible work in that field.

Beautiful Buzzard from Berdoo by Lyndell Dean Wolff


What first caught my eye, naturally, was his series of paintings inspired by Bill Ray’s famous 1965 photographs* of the Hells Angels and other California MCs, like Beautiful Buzzard of Berdoo, seen above. Others in the series include Tickle It, Bakersfield Run and Berdoo Salute.

Tickle It by Lyndell Dean Wolff
Bakersfield Run by Lyndell Dean Wolff (2024)
Berdoo Salute by Lyndell Dean Wolff (2024)

However, Lyndell isn’t confined to just reimagining Ray’s iconic photographs. He has another series of works — a near-to-photorealist collection titled Wabi-Sabi — that feature historic motorcycles in OEM and custom trim.

Wabi-Sabi, No. 12 by Lyndell Dean Wolff
Wabi-Sabi, No. 11 by Lyndell Dean Wolff
Wabi-Sabi, No. 3 by Lyndell Dean Wolff
Wabi-Sabi, No. 4 by Lyndell Dean Wolff
Wabi-Sabi, No. 5 by Lyndell Dean Wolff
Wabi-Sabi, No. 6 by Lyndell Dean Wolff

One of my personal favorites is Lyndell’s portrait of this motorcycle queen, a shovel rider from Japan whose photos appear regularly across the interwebs. I don’t know her name, but I admire any woman who rides her own, and especially a rigid kickstart-only shovelhead like hers.

Wabi-Sabi, No. 13 by Lyndell Dean Wolff….
….and the young woman who inspired it!

Outside the Wabi-Sabi and Bill Ray collections, Lyndell creates some brilliant images of vintage motorcycles like these:

Knee-High by July by Lyndell Dean Wolff
Harley-Davidson WL by Lyndell Dean Wolff
David ‘Huggy Beahr’ Hansen, 1948-2023 by Lyndell Dean Wolff
Excelsior Super-X by Lyndell Dean Wolff

Lyndell also honors legends of the motorcycling world, including Burt Munro of The World’s Fastest Indian fame, and the godfather of motorcycle art, David Mann himself.

Another Cuppa by Lyndell Dean Wolff features New Zealand Indian rider Burt Munro, whose story was memorialized in the film The World’s Fastest Indian
David Mann Tribute by Lyndell Dean Wolff

However, if you visit Lyndell’s gallery, or his website, you will see that he is not limited, any more than David Mann was, to ‘just’ motorcycle-themed art. Lyndell is truly a fine artist in every sense of those words, accomplished and acknowledged, endowed with wide-ranging vision, and possessed of a keen eye for dramatic vignettes and an exquisite hand for detail.

Embodied Cognition by Lyndell Dean Wolff
Cognitive Phenomenology, No. 13 by Lyndell Dean Wolff


For instance, his series titled ‘Cognitive Phenomenology‘ (seen above and below) is a brilliant exploration of human form and cityscape, reflection, light and shadow. The works bring to mind one of my personal faves, Edward Hopper, and yet frequently surpass Hopper in depth and emotion. Those who know my love for Hopper are probably shocked to see me write that, but it’s true.

What can I say? đŸ€·đŸ»â€â™€ïž I calls ’em as I sees ’em! 😏

Cognitive Phenomenology 5 by Lyndell Dean Wolff
Cognitive Phenomenology 11 by Lyndell Dean Wolff

He has other works, as well. Here is one I love, that appears to be an homage to American artist-cartoonist Robt. Williams. Part of the draw for me may be that Lyndell here reimagines traditional representations of Our Lady of Guadalupe. Jackie and I were married at Our Lady of Guadalupe Church here in Austin, and the lay ministry we were involved in at the church featured Our Lady in much of its iconography.

Spiritual Gentrification, No. 1 by Lyndell Dean Wolff


I’ve been saving my milk money for a while now, hoping to acquire one of Lyndell’s paintings for MMMoMMA, but in the meanwhile we’ve struck up a friendship, and just today he did me the incredible honor of releasing his newest work, entitled “’87 Sturgis Run” (16×20 inch, acrylic on panel). Some of you may recognize that handsome devil standing beside his trusty shovelhead, with the stone faces of Mount Rushmore peering over his shoulder.

’87 Sturgis Run by Lyndell Dean Wolff (2024)

That handsome devil is none other than your humble narrator….

….although it’s damned hard to be humble when a talented artist like Lyndell Dean Wolff makes your mug the subject of a painting! 😎 

This painting is based on one of my favorite photographs. Every time I see it, I am reminded of the young man I was, and the adventures I had on my beloved shovelhead. I might not be smiling in the photo, but you can bet your bottom dollar I was one happy biker!

Me and my shovelhead at Mount Rushmore.


Lyndell has been invited to exhibit at the David Mann Memorial Chopperfest Motorcycle, Art and Kulture Show taking place next weekend, February 11th, on the beach at the Ventura County Fairgrounds.  He has been a featured artist at this prestigious event for several years running, and his latest paintings, including “Bakersfield Run”, “Berdoo Salute” and “’87 Sturgis Run”, will be on display.

20th Annual David Mann Memorial Chopperfest

Lyndell has also been invited (again!) to contribute a custom painted helmet to the Biltwell Helmet Show, which is a regular part of Chopperfest. His helmet and paintings will be available for sale on-site.

The lineup for the 2024 Biltwell Helmet Show at Chopperfest


I am very proud of my friend, Lyndell Dean Wolff, and sincerely hope you will check out his work, either online or in person at Chopperfest. Better yet, take a piece home. I know I’m dying to! đŸ‘đŸŒ

FOLLOW-UP:

I actually made it to last year’s Chopperfest – the 20th Annual – and tell the tale here. Now it’s time for the 21st. My friend Lyndell Dean Wolff will be there again. This year. he was asked to paint a poster (below) for the event. If you look hard, you might see a familiar figure limping along in the crowd! Thanks, Lyndell!

Read about my trip to the 20th Annual David Mann Memorial Chopperfest, and my meeting with Lyndell Dean Wolff and Sharon, at I took a little drive one night…

JUST FYI:

*Bill Ray, mentioned above, was on assignment from LIFE Magazine in 1965, in response to the spate of news reports about the Angels and other ‘outlaw’ clubs. His photographs were ultimately rejected for publication at the time. The editors wanted visual reinforcement of the stereotypical larger-than-life ‘biker thug’ that pearl-clutching news reports were describing. Bill Ray disappointed them when he handed in images of everyday women and men on motorcycles, enjoying their lives. His iconic photographs showed the bikers in too good a light. 😎

However, for modern readers and historians, Ray’s 2019 book, ‘Hells Angels of San Berdoo ’65: Inside the Mother Charter‘, presents a mind-blowing visual record of the outlaw scene of the day. If you’re into our history as bikers, it’s as important a piece as Danny Lyon’s ‘The Bikeriders‘ or Hunter S. Thompson’s seminal work of gonzo journalism, ‘Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs‘.

In fact, Thompson mentions Bill Ray in his book, jealous of the fact that Ray was more accepted by the club than Thompson himself. 😆

Ray’s book is available online, and well worth the price, IMO.

chal‱lenge, part two

(chal’enj) n. anything that calls for special effort

Copyright © 2023 by Bill James at The Shovel Shop, Austin, Texas

As noted in my last post, I became interested in adapting motorcycles for use by riders with disabilities after helping design and construct a shovelhead-powered trike for a quadriplegic rider disabled in a motorcycle crash.  However, I never anticipated a need for such adaptations for myself, but
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.Fate or Life or The Universe (the bastard) had other ideas.

đŸ˜±đŸ˜źđŸ˜łđŸ˜ąđŸ˜ĄđŸ€Ź

The structure I fell from, with new panels to replace the ones that gave way under my hook ladder.

In July of 2004 I fell 35’ from a billboard structure I was climbing.  I ended up with an open compound fracture of my right tibia and fibula – two breaks in each bone, with the jagged ends sticking up through the skin — and a left foot pulverized ‘to dust’ per the surgeon who attempted to repair it.  However, worst of all was the burst fracture of my L-4 vertebra.  Between the three injury sites – a perverse Trifecta of Pain, if you will – nothing south of my waist works the way it’s supposed to
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.and I mean nothing!  😡

I might be smiling, but there was nothing fun about that hospital stay!

I was hospitalized for twelve days that first time and underwent four surgeries, with numerous hospital stays and surgeries to come. I was still wheelchair-bound when they sent me home, and lived in a hospital bed set up in our living room for the rest of the summer.

Me and my new wheels, back at the crib!
My friend Bryan built the ramp for me, and a bunch of folks from the church where Jackie and I were married came by to sign it and scribble ‘get well’ wishes on it.
When you’ve been active and physical most of your adult life, lying around watching television all day is not near as much fun as it sounds, but I made the best I could of it.

I was in the wheelchair well into September, having physical therapy and additional surgeries, before I could graduate to crutches, and then a walker. I still remember what a rush it was (literally and figuratively) to finally stand unaided and kiss Jackie from above, for the first time since the fall. I had to sit right back down again, but that kiss was the start of me getting back on my feet.

And get back on my feet I did. One hundred and twenty days after my fall, I limped out to my driveway, kickstarted my old rigid-framed shovelhead and took it for a ride around the neighborhood.  Probably not my brightest move – I was still recovering from major surgeries including a spinal fusion at L-3-4-5 – but damn! did it feel good in the moment!  Look at the photos taken that day, and the shit-eating grin on my face.  After all I’d been through, it appeared I would still be able to ride my motorcycle.

The Bitch started first kick after three and a half months of down time. I was so proud of my baby that day!
Oh, yeah! I was a happy man in that moment!
And a-w-a-a-a-a-a-a-y we go!
S-o-o-o-o-o-o happy!

As my recovery progressed, I took a few more rides on the shovel, but quickly learned that the geometry of my body had been permanently altered by the accident.  I’d spent decades sitting down in the bike, on a frame-mounted butt bucket LaPera saddle, but now that position caused almost immediate low-back pain, and sent referred pain down both legs.  Symptoms included spasms, sharp stabbing pain, throbbing pain, all manner of pain
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It was clear that I had to be seated with my hips above my knees, rather than below them; that flexion (being bent beyond 90° at the waist) was not my friend.

The Bitch with her frame-mounted butt-bucket saddle. On it I was seated down in the motorcycle, rather than on it. Great feeling, better road sense, lower center of gravity, et cetera, but not user-friendly for the new me.

Thus began a series of experiments.  One of the benefits of working in a motorcycle shop like Bud’s was almost unlimited access to parts, so I could dabble on the cheap. 

First was a Softail solo saddle.  It was puffy enough that it almost raised me high enough off the frame.  However, it wasn’t enough, and my attempt at a rider backrest – a tiny sissybar backrest pad and a couple of stainless-steel struts from an old FL windshield – failed to do the job.

Nice try, but no cigar.

Next was a bit of R&D in the best East Austin tradition, to see if a traditional OEM pogo stick might do what I needed.  I borrowed a single bright red fatbob tank, a pogo stick and t-bar, and a funky old buddy seat I found in amongst the takeoffs and rejects in Bud’s shop.  Test rides proved that a pogo stick could work, but only if I ran the optional OEM heavy-duty spring set, Harley part no. 51771-29

This might have been ugly as sin, but it did let me know I was heading in the right direction.

Bud tracked down a customer who had a brand-new set of the heavy-duty springs he would part with. Bud also gifted me a set of late-model flat-side fatbobs, which was a nice hit.  Unlike the original fatbobs found on knucks, pans and shovelheads, the flat-side bobs aren’t prone to cracking and leaking.  Nothing like a lapful of petrol at 60 MPH to put a damper on an otherwise pleasant ride! 😼

Late model flatside fatbobs in a factory blue, with my old bobber fenders painted to match. Since they were Bud’s final gift to me, I am reluctant to mess with the paint scheme.

However, the way the flat-side bobs mount to the frame prevented us from using the traditional t-bar.  Instead, Harley Bob, one of Bud’s ace mechanics and welders, had to relocate the front mounting point for the t-bar, and then heat and bend my t-bar to make it fit.  I topped that off with a traditional OEM leather tractor seat saddle; the one Harley-Davidson had been using since 1923.  I actually bought it from the local Harley dealership, no less!

The result was one-of-a-kind, but it worked to get my hips above my knees, thus eliminating one problem, but now I had another. I generally dislike seeing a windshield on an unfaired bike, but my weakened back muscles could not withstand the buffeting of winds at highway speeds, so I crafted another rider backrest. This time, I took the back off an old industrial office chair and connecting it to the underside of the tractor seat, as seen below.  I cut some stiff-celled foam to fit, found an upholsterer to cover the thing in black leather to match the saddle, and pronounced it good.

There’s my homemade backrest before I sicced the upholsterer on it.
….and here it is completed. It didn’t work quite as well as I’d hoped….
....but it wasn’t terrible-looking, was it?
Better than this, at least…. 
 
….right? 
 Right?
đŸ€·đŸ»â€â™€ïž

And it was a good idea, if I say so myself. The backrest worked like a champ once I was up and rolling with my weight on the saddle, and I could have ridden all day with it like that. 

Unfortunately, the moment I stopped for any reason and shifted my weight to one foot or the other, those heavy-duty pogo stick springs forced the backrest into my already pained back.  It felt like a torture device the Spanish Inquisition might have appreciated. 

The sucky part is that it worked great while I was moving!
Backrest had to go!

I finally admitted defeat, set the backrest aside and bolted on an FL windshield.  It worked, even if it did ruin the lines of my gorgeous, oh-so-simple shovelhead.

The Bitch with the pogo stick and vintage FLH windshield….

I later exchanged it for one that came off a Dyna Wide Glide, I think.  A slightly sleeker look, and that’s the way it looks today: pogo stick, tractor seat and Dyna windshield.

….and here, with the later-model Dyna windshield.

My BMW needed no such alterations.  It already put me in a riding position suitable to my limitations, and I’d already installed a windshield for touring purposes. 

2000 BMW R1100R with a windshield and OEM bags, on the Olympic Peninsula in Washington State.

However, I still wanted a Harley I could pack my wife on, so one Saturday I toddled off down to Bud’s to explore the possibility of a new frame for my shovelhead.  It would have hurt my heart to lose the rigid frame and, thankfully, I didn’t need to.

Instead, I came home with a 1987 FXRS.

The 1987 FXRS I named The Banshee (because she knew how to wail) was ugly as sin when I got her, but had a powerplant rebuilt from a burn by Harley Bob, the same ace who figured out how to make The Bitch’s pogo stick saddle work. It also handled like a dream, had all the get-up-and-go an ol’ boy like me could need, and was the first Harley my wife could passenger on!

The first thing I did was install an FXRP Police saddle, which accomplished on the FXRS the same thing the pogo stick did on the shovelhead:  got my hips above my knees.  The FXRS already had a windshield, so I was spared that expense. 

The FXRP (Police) saddle mounted on my 1987 FXRS Low Rider the day I brought it home….
….and the first ride on the new saddle.

Instead, I just started stripping the FXRS of all the chrome and gold-accented doodads the previous owner had insisted on, and altering the bike to better fit my body.  Finally, I decided on a paint scheme I wanted, and spent months getting that accomplished. 

The Banshee on October 24th, 2008, the day I finished a two-year makeover, which included the FXRP saddle seen here, the removal of a metric fuck-tonne of chrome shyte, and the installation of as many black parts as I could lay hands on. In fact, a black belt-guard and that all-black pillion pad were the final pieces of my puzzle.

And there I was, a happy biker with three motorcycles suited for my disabilities:  my original OG shovelhead for hopping around town or solo road trips, the BMW for canyon carving, and the FXRS (now named The Banshee) for squiring my wife around in style.

I wish I could say we lived happily ever after, but
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.Fate or Life or The Universe (the bastard) had other ideas.

đŸ˜±đŸ˜źđŸ˜łđŸ˜ąđŸ˜ĄđŸ€Ź

One of the many cruel tricks Fate or Life or The Universe (the bastard) played on me (and there have been many) is that the nerve damage at my spine causes all sorts of misfires in the lower half of my body.  I feel things I shouldn’t feel — sudden sharp pains, weird sensations like wetness on my leg, muscle spasms — and don’t feel things I should, like knowing when my bladder is full. đŸ€ą Ain’t that a gas?

And just so you know, I’m not sharing this because I want to. I just know there are other riders out there who have experienced (or, heavens forfend, will experience) some of what I’m going through. I wish someone had talked turkey to me post-accident, so I’m talking to y’all.

And you can ask questions, if you have any, about the bikes, the adaptations, or the medical shyte I’ve experienced in the nineteen years since my fall. All that experience should be good for something besides making me miserable…. 
 
….right? 
 Right?
 
đŸ€·đŸ»â€â™€ïž

Anyhoo….

Think of that channel through the center of each vertebra as a conduit, and the nerves as wires.  My surgeon said that when he got to my L-4 vertebra it was 80% occluded. With ‘spring-back’ — which means just what it sounds like — he reckons the L-4 channel (through which the cauda equina passes) was 100% occluded at the moment of impact. That explains why I felt the sharp pain in my back when I hit the ground, and also explains the problems I had post-surgery.

If the vertebra acts as a conduit, then a burst fracture is like a kink in that conduit, which crushes the wires inside.  At 100% occlusion, the insulation on those wires will be damaged, and as a result, electrical signals will go places they weren’t supposed to go.  Misfires.  Some are frustrating, some are humiliating, some are aggravating as hell, and most are just fucking painful. 

However, one of the first misfires I noticed began while I was still in the wheelchair after my initial surgeries.  Because I’d damaged both lower extremities so severely, I couldn’t weight-bear on my own, but the medicos wanted me up and moving about. 

The solution?  Working out in the physical therapy pool at the hospital.  The water would bear most of my weight, but I’d still be able to ‘walk’ and move around. 

As an aside, I was working out one day with a man about my age who had his hip replaced, and we got to talking about our injuries.  When I mentioned that I had fallen 35’ from a billboard, his eyes got big as saucers, and he said, ‘My father fell off a six-foot stepladder in his garage and died!’ 

Have I mentioned that Fate or Life or The Universe (whatever) is a bastard?  😡

Anyhoo, I was still working out in the pool when I learned that one of the many ‘gifts’ I’d been given in my accident was a trick knee, that would give way without warning and drop me where I stood.  In the pool, of course, this meant a sudden dunking and a faceful of highly chlorinated water.  Once I was out of the wheelchair, the results could be considerably worse.  I’d be strolling along, minding my own business, and suddenly I’m sprawled on the floor, or sidewalk, with skinned knees and palms.  What fun!

At first, it was mostly annoying and occasionally embarrassing, but over time the misfires to my knee became more and more frequent, to the point that I worried about my leg giving way as I sat at a red light on my bike, and me ending up with the bike on top of me, dependent on strangers to help me get back up again.

I do not like feeling that dependent on anyone.  It’s a whole thing with me.

I finally realized that I needed to do something to protect myself, and I thought ‘Hey, what about a trike?  After all, we’d built that one for Paul ‘way back when, and with Bud to help me I knew I could take my shovel and build a sharp-looking trike around it.

See my previous post for details about this trike.

I started banking money with Bud, saving up for one of the rigid trike frames Paughco was manufacturing, but then Bud died and my money disappeared.  I was so heartsick over his death that I couldn’t even pursue it.  In fact, it took me a number of years to step back into what was left of Bud’s shop again, and by then it was in a different location and of a completely different world.  I recognized some of the fixtures – the classic old showcases Bud had scored when the original Harley shop on Guadalupe closed – and noticed the tribute to Bandido Craig, who I’d worked with when Bud was still alive, but everything else, including the people, was utterly alien to me.

However, that was later.  Once I’d recovered enough from Bud’s passing to begin thinking of triking the shovel again, I began selling a massive assortment of stuff I had accumulated over the years.  Most of it was through eBay, and for a while I was shipping motorcycle parts, manuals and moto-themed gewgaws all over the world.  I also sold books and pop culture collectibles, antiques, whatever
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.until I’d finally saved enough to order the Paughco frame I’d been dreaming of.

The frame of my dreams, minus the chrome plating. Homie don’ like chromie!

I rang Paughco, all confident and ready to talk turkey, only to be informed that Paughco no longer makes the frame I wanted.  This was after the pandemic, when the supply chain was in disarray, and Ian, the fellow I spoke with, told me they couldn’t get the tubing they needed, but it didn’t matter because they couldn’t hire enough qualified welders, either!  😼

And that raises a quick question:  Where is this ‘collapsed economy’ I hear so many people raving about?  Because I see a fuck-ton of ‘Help Wanted’ signs and adverts all around.  Paughco is obviously not the only concern experiencing staffing shortages, and low unemployment is one of the hallmarks of a healthy economy, right?

Just sayin’
.

Anyhoo, with Paughco unable to provide the frame I wanted, I began searching all over for other options.  I was burning up the Googleplex looking for ‘trike frame’, ‘rigid trike frame’, ‘Harley trike frame’, et cetera. I found plenty of bolt-on swingarm trike kits to fit swingarm and Softail frames, and stretched and raked low-saddle rigid frames intended for radical ‘chopper’ builds, but no one was making the traditional rigid frame I wanted – the one like the photo from the Paughco catalog.

I finally found one outfit in The Netherlands that made the frame I wanted, a place called VG Classic Frames. He even used repop factory-styled castings for the headstock, et cetera, and had what looked like a seat post for the pogo stick, which would have made it ideal for my needs.  Sadly, despite numerous attempts, I could not get the shop owner to give me a price (or even a ballpark estimate) of what shipping to the U.S. might cost.

Oh, what could have been! 😱

By now I was getting desperate to get back in the wind, so I gave up and I gave in, and I went shopping for a Harley-Davidson Freewheeler.  Of the late-model trikes on offer from the MoCo, the Freewheeler was closest to my idea of a motorcycle.  It was a little stripped down, a little meaner looking than the Tri-Glide, and quite a bit lighter.  It still weighs twice what my shovel does 😼 but that fiberglass taco box is heavy!

The 2016 Harley-Davidson Freewheeler with the 103″ Twin Cam engine; last year for the line, I’m told. I know squat about late-model Harleys, so every day on this thing is a new experience! And just think, I went from a 74″ shovel to an 80″ Evo, and now a 103″ Twinkie.

I found the bike I wanted at a stealership in Houston.  It was a 2016 FLRT Freewheeler in Black Quartz, with 4” unbaffled Cobra cones and a factory rider backrest and luggage rack.  I could have done without the backrest – thankfully, it’s removable with the push of a couple of tabs – and the luggage rack is actually kinda handy, but those straight pipes were fucking awful! 

The 2016 Harley-Davidson FLRT Freewheeler I have christened The Box-Turtle. First there’s alliteration — Bitch, Banshee, Bagger and Box-Turtle — and then there’s that great honkin’ taco box on the back, like a turtle shell.
I even found a metallic sticker of Heinrick Kley’s musical turtles, which I’d discovered several years before they appeared on the cover of The Grateful Dead’s Terrapin Station album.  
 
 
 In fact, while I lived in Seattle in late ’75, after getting out of the service, I got the banjo-playing turtle tattooed on my left bicep. Unfortunately, the ‘artist’ — a celebrated tattooist who called herself ‘Madame Lazonga’ — did such a crappy job that I had the thing covered at the first opportunity.  
 
 
 Still, I never got over my affection for the critters!
I even found an embroidered patch to add to my winter riding vest, and a suitable quote from a Grateful Dead song. It really has been a long, strange trip, hasn’t it?

It took the better part of a day of dicking around, but I got the price down to what I was willing to pay, and the deal was made.  The next Saturday I pulled my motorcycle trailer down to Houston and carted her home. 

The FLRT Freewheeler loaded on my too-short trailer….
….and thank goodness I had the heavy-duty tie-down straps Bud gave me, so I could rig that tailgate/ramp securely enough to make it home. I’ll be having braces made for it ASAP. 
 
 
 And yes, that is a flat tire, unnoticed in all the excitement until I was a block away, no longer under the nice shade tree. đŸ˜ĄđŸ€Ź Triple-A earned their premium that day!
Once home, I didn’t ride the beast for a week. See those four-inch cones? I like my neighbors, and I have no interest in inflicting that on them, so I waited to ride until I could replace the damned things.  
 
 
 This project, BTW, prompted my return to Bud’s Motorcycle Shop, Version 2.0, for the first time since his death, and my realization that change, that constant motherfucker, had done its damage in my old home-away-from-home. Took two trips out there — one before I brought the trike home and another after, to exchange the first set of take-off mufflers for a set that fit — but I got it done!
Then it was time to begin the learning curve.

For those not familiar, riding a trike (or a sidecar rig like the one I piloted in the ’80s) is completely different than riding a solo machine. For starters, countersteering will get a rider killed, because the trike reacts in a completely opposite manner to a solo when countersteered. Push out on the right handgrip while approaching a left-hand curve, and instead of gently leaning into and tracking through your curve, you will find yourself going hard to port before you can even grasp what’s happening! 

The sidecar we dubbed ‘Moon Unit’, attached to my 1954 wishbone frame with a combination of OEM Harley-Davidson parts and some bastard mounts designed and constructed with the invaluable assistance of Bill Mading at BG&T Welding in Austin. Bill was a former motocross racer who understood (far better than I) the stresses and strains a motorcycle frame undergoes. It was Bill who restored my ’54 frame when I first got it, replacing the stress tube and fat bob mounts some chopper builder had removed, and inspecting the joints for cracks. When I decided to get a sidecar for the shovel, so my stepdaughter could join her mother and I on rides, I knew I could trust him to help keep my little girl safe.

The test-ride I took in Houston was terrifying, so when I got the beast home, I knew I had to unlearn almost five decades of training and experience in order to ride her safely. Just resisting the instinct to countersteer when going into curves took all my concentration, at first.  
  
Then, since I’m not countersteering and leaning into curves the way I’m accustomed to do, the trike constantly felt as if it might tip over in turns, victim to centrifugal force. I had to gradually build up my confidence in curves, carefully going faster and faster as I gained a feeling for how the machine would handle and what it could handle.  
  
It was effectively like reliving my earliest days on a motorcycle. My first rides were just toodles around the neighborhood, but I slowly progressed to longer and longer excursions.

My first ‘big’ trip out of the neighborhood was to drop some eBay packages off at the post office. Whoo-hoo, huh?  đŸ€·đŸ»â€â™€ïž
  
 Still, it was me on a motorcycle and back in the wind, so no complaints here…. 
 
 
 ….and I’ve managed longer trips since then, including a day-long walkabout through Williamson, Cameron and Bell Counties, down the backroads I so enjoyed exploring on my shovelhead. I’m slowly rebuilding my ‘mileage muscles’, which have atrophied after years of disuse, and look forward to longer and longer rides on my Box-Turtle.

So, I am back in the wind, with my knees in the breeze, but wouldn’t you know? After months spent scouring the internet for the rigid shovel frame I originally sought, and asking everyone I could find for leads, et cetera, and finally committing to the 2016 Freewheeler, it was (and I swear I am not making this up) just two weeks later that a friend helped me reconnect with an old riding partner – a fellow I haven’t seen in over twenty years – who just happens to own a custom frame shop in Dallas. 😳

Steve back in 1992, on a ride from Central Texas to Western Colorado. I just love that grin on his face!

Have I mentioned that Fate or Life or The Universe (the bastard) has a perverted sense of humor and really shitty timing?  😡

Anyhoo, I did get to visit my old friend on a road trip that I’ll tell you about in an upcoming post, but in the meanwhile, my gimped-up ass is finally back in the wind where it belongs, and my old friend is scheming on a possible frame for my shovelhead!

chal‱lenge accepted! 😁

I might look grumpy, but inside I’m smiling like a fool! I am in the wind! It’s not my beloved Bitch, but the wind tastes the same! ….and I still have The Bitch, so I still have hope. So long as I’m upright and breathing free air, there’s always the possibility that The Bitch and I will be together in the wind again, someday soon. 😎

In case you missed the link at the beginning of this post, you can find the first part of my article at:

chal‱lenge

(chal’enj) n. anything that calls for special effort

Copyright © 2023 by Bill James at The Shovel Shop, Austin, Texas. Photograph of Jane Strand (above) © 1988, 2023 by Bill James at The Shovel Shop, Austin, Texas.

What would you do if life – an accident or illness or hereditary condition – stopped you from doing the thing you most enjoy?

Paul aboard his custom shovelhead trike, as it appeared in Easyriders in January, 1985.

I initially got interested in adapting motorcycles for use by riders with physical disabilities in the early ’80s, when I helped design and construct a shovelhead-powered trike for a military veteran who’d been paralyzed in a motorcycle wreck.  Paul (seen in photo above) was classified as quadriplegic, which, FYI, does not necessarily mean a person is paralyzed from the neck down, as I’d always assumed.  Rather, it simply means the normal functions of all four limbs are affected by the injury or condition.  In Paul’s case, that meant he had no use of his legs, and while his right arm was almost fully functional, his left had only limited strength and range of motion.  He could make a partial fist – enough to operate a hand clutch and help steer a motorcycle – but couldn’t operate a jockey shift or brake lever.

Now, bear in mind that in the 1980s none of the well-known motorcycle manufacturers were producing three-wheeled motorcycles.  Harley-Davidson still offered sidecars, but the Motor Company’s venerable Servi-Car (popular with police and fire departments, delivery services and automotive repair shops) ended its forty-one-year run in 1973, and no one was rushing to fill that slot.

As an aside: circa 1982, Honda reportedly produced a prototype three-wheeler based on their CX500 – an estimated 250 units overall – for U.S. Police Departments.  I have a distinct (and very pleasant memory) of seeing a female Austin Police Department officer in full moto-cop regalia, including knee boots and leather jacket, blasting through downtown traffic on one such prototype with her long blonde hair streaming behind her.  đŸ˜  Unfortunately, the bikes didn’t make the cut and never went into full production, and I never saw my jackbooted goddess again. đŸ„ș😱😭

Anyhoo, as I was saying….

No one was cranking out three-wheeled motorcycles back then, and aside from some knucklehead-powered prototypes constructed at the onset of World War II, the Motor Company had never produced a Big Twin trike.  That meant virtually everything we needed to make Paul’s bike function as required had to be designed and created in-house.

The chassis consisted of an OEM early shovelhead swingarm frame grafted to a rigid Servi-Car rear section.  It had originally been built for a local biker who was shot in the leg by an off-duty APD officer during a traffic confrontation on Guadalupe Street, near the entrance to the Austin State Hospital.  The cop claimed he was in fear for his life, naturally, and walked away without consequence.  Meanwhile, the unarmed and now disabled biker was left to fend for himself, and put together the three-wheeler. 

After a while, Rod assumed he was healed up enough to get back on two wheels, so my boss at the motorcycle shop got the trike frame.  Unfortunately, Rod wasn’t as healed as he thought he was, because shortly after getting back on his panhead he tipped his bike over while trying to park it in a grassy area pocked with hillocks and treacherous low spots.  When he tried to catch himself his right (injured) leg gave way, putting him right back on the disabled list.  

However, by then we were already well into the construction of Paul’s trike.

The Easyriders spread from January, 1985, seen below, shows the details of Paul’s unique trike:  crossover shifter mechanism, linked front and rear brakes, custom floorboards, et cetera.  What the magazine doesn’t show is that, while we got the trike running and dialed in, and fine-tuned the hand-controls and other adaptations, Paul was bartering with the shop’s owner, trading custom paint and bodywork to cover the costs of the build.  Paul was a gifted body man, and I was very proud to run the tins he’d shaped and painted for me during that time.

1980: My 1974 shovelhead, recently transplanted into this OEM 1954 wishbone frame, sports tanks and fenders shaped (where needed) and painted by Paul.  This was the first frame-off rebuild I’d ever done, and I remain very proud of the finished project!  A lot of people who looked askance at my choice of colors when the painted tins were hanging on the wall in my shop area admitted I’d chosen well, and created a striking custom build.

Once we got the trike dialed in, while it was still all bare metal and grey primer, we turned it over to Paul, who soon returned to his home in Massachusetts.  There, he took the bike apart and detailed the thing, putting his expertise and artistry as a body man to work, and doing much of the physical labor himself.  Paul built an extended platform behind the pogo-stick saddle to hold his wheelchair, and the custom-built ultralight wheelchair itself.  He also cleaned up the rough metal we’d used to fashion some of his controls, added a lot of gold and chrome plating, and painted the machine a rich ebony black with striped accents on the frame.  Aside from the unique aspects of its construction, the machine was a beautiful custom motorcycle, deserving of its place in the pages of the world’s most widely-read biker magazine.

By the time we completed Paul’s trike, I had become fascinated with the process of modifying motorcycles for use by handicapped riders, and enamored of the spirit and ingenuity that went into each adaptation.  I began clipping articles from newspapers and magazines – anything referencing handicapped riders or drivers – and adverts and announcements about new parts that looked as if they might prove useful in adaptations.  I photographed adapted bikes wherever I found them, and spoke to the riders if possible.  

Over time, I accumulated a hefty file of information in those pre-internet days, and acted as a clearinghouse for that info.  Primarily through Letters to the Editors columns of motorcycle magazines I made that information available free of charge to any and all takers.

Early 1988: Jane Strand on the shovelhead trike she and her husband, Rick Strand, designed and constructed. Jane was paralyzed when a teenaged red-light-runner struck the couple as they rode Rick’s flathead through downtown Austin. I featured their bike in the article I wrote for Road Rider. Rick and Jane went on to found a custom motorcycle shop in South Dakota, specializing in adaptations for handicapped riders. However, just now, when I went looking for the shop’s contact info, I learned that Rick passed away several years ago. Sorry to say, I don’t know what happened to Jane.

I’d written for newspapers and magazines for several years, so it was a natural progression to take what I’d learned and create a feature-length magazine article.  I shopped the idea around, and Road Rider (later reconfigured as Motorcycle Consumer News) gave me the commission.  I did the research, conducted my interviews, took the photographs, and my piece appeared in Road Rider‘s November 1988 issue.  I didn’t even know it had come out until someone at a motorcycle rights organization meeting asked for my autograph! 🙄

October, 1988:  My friend Tina and I, as I sign my first (and last, so far) autograph on my just-released article about adapting motorcycles for use by handicapped riders.  We were at Frank’s Lakeview Inn on Lake Belton, Texas, to attend a Texas Motorcycle Roadriders Association meeting.

Times have changed drastically since that article appeared.  By the late ‘90s aftermarket manufacturers had begun releasing bolt-on trike kits, and now offer assemblies for almost every motorcycle marque on the road.  In 2009, Harley-Davidson began marketing its own line of Big Twin trikes with a wide range of options.  Aftermarket trike frames are also available, as are helpful add-ons like electronic shifter mechanisms, and reverse drive units for those who can’t back their bikes out of parking spaces.  Meanwhile, the Can-Am Spyder and Polaris Slingshot offer something other than the traditional trike configuration, if you’re into that sort of thing.

Just in time, too, as the perennially playful Baby Boom ages into the need for three-wheelers!  😆

Okay, so, on to the article:

Here is the Easyriders article about Paul and his trike:

And another piece, from Easyriders’ March 1979 issue:

So, what’s this got to do with me? More at the link below. ‘Til then, slĂĄinte! 😎

My father…

Back when M*A*S*H was still on the air and my father was still alive, there was one show where Hawkeye spent the entire episode trying to get a telephone call through to his father in Crabapple Cove, Maine. If I remember correctly, the old man was about to undergo major surgery, and Hawkeye (a surgeon who knew just how badly surgeries could go wrong) was terrified that his father might not survive. He finally gets through to Crabapple Cove and talks to his father a bit, but when it’s time to hang up, Hawkeye will not let his father go until he can say ‘Dad, I love you.’

My relationship with my father had been contentious most of my life, and I couldn’t tell you the last time a word of endearment had passed between us, but in sobriety I was trying my best to make amends, and Hawkeye’s words inspired me. We didn’t talk often (the show went off the air in 1983, when long-distance telephone calls still cost a lot of money) but whenever we did, I would not get off the ’phone until I said the words ‘Dad, I love you.’

At first, he was embarrassed, and he’d mumble ‘Uh
 God loves you,’ but I persisted.

After a while, he could say ‘We love you,’ but I didn’t quit.

Finally came the day he was able to say it back to me: ‘I love you.’

I’m crying as I write this. Yeah, I’m a big softy who cries at movies and Kodak commercials — so, sue me! 😆 — but I’m crying just thinking about how much our relationship was changed by those three little words. He became my Dad again — a title I hadn’t accorded him in over a decade — and we grew closer and closer.

My father died in February of 1997 — the cigarettes he’d smoked his entire adult life finally caught up with him, and robbed us of precious years — but we had nineteen years more than we would have had, if not for AA’s Ninth Step and a sitcom set in a war zone.

My last words to him were ‘Dad, I love you.’ I’ll let you guess what his last words to me were. 😎

So yes, say it now, say it often, say it to those who matter most in your life, and never quit saying it.

I love you.

My father served as a navigator in the Army Air Corps during World War II. Here he is on a military-issue Cushman scooter at an airfield in Lincoln, Nebraska.
Eight years later he had married my mother, and they began doing their bit to increase the postwar Baby Boom. The infant in arms is my older brother, Lee.
Forty years later, 1 May 1993, I got to take my father and younger brother to an antique motorcycle show in Hanford, California, the day of my younger sister’s wedding. He’s standing beside an Indian like the one he rode after the war. He told us he won the money for the Indian playing poker. and I don’t doubt that. Author Nelson Algren, in his 1956 novel, A Walk on the Wild Side, wrote ‘Never play cards with a man called Doc. Never eat at a place called Mom’s. Never sleep with a woman whose troubles are greater than your own.’ Dunno about the rest đŸ€·â€â™€ïž but my father’s nickname was ‘Doc’, and he had one of the greatest poker faces you could ever imagine! 😎
Here’s my father seated on a Cushman scooter like the one he rode in the service. He stopped riding before us kids came along, but he never got over his love for motorcycles. It was something we shared during those happy years together.
There’s my Dad on his Cushman, and me on my shovelhead fifty years later, at Shiprock, New Mexico. I didn’t see it at the time, but a few years after the Shiprock photo was taken I realized how alike we sat our mounts. He’s been gone for twenty-six years, and I miss him.

SHE’S GOT IT!

As some of you know, I have long been a proponent of women riding their own bikes, so I pay attention to articles like the one posted below. Karan Andrea would have been an interesting person in her own right, for her determination and accomplishments, but she also had the good sense to fall in love with another 1974 Shovelhead, which makes her my sister…. or sister-in-law, at least. 😏

Karan wrote:

Riding, Wrenching, & Empowerment

Antique Motorcycle Club of America Riveters Chapter founder Karan Andrea brought a vintage Harley back to life, despite all odds

by Karan Andrea, Buffalo, New York, February 27, 2022 at  https://womenridersnow.com/riding-wrenching-empowerment/

AMCA Riveter Ride—Chix on 66

Note: per the Riveter Chapter’s website, they will host a run to Berea, Kentucky May 30 – June 2, 2023. Visit them at https://www.riveterchapter.com/ for more info.

Despite three years of struggling to learn to ride well, I never gave up.  Today, I am the master of my 1974 Harley-Davidson Shovelhead, which I can not only ride, but wrench on.  This photo was taken at the Shovelhead Reunion in Milwaukee last June by Mark Garcia, Big Machine Photography.

AMCA Riveter Founder’s Herstory

I started riding motorcycles in 2011 when I was 45 years old.  Prior to that, I hadn’t been around bikes all that much. I never rode dirt bikes and didn’t have a parent or relative who rode.  When I was 19 years old, I dated a guy for a minute who had a Yamaha Virago.  I rode with him a few times and loved it!  But after we broke up, I didn’t have the opportunity to ride a motorcycle again for 25 years.

At that point, I had a friend who had a motorcycle who was going through a rough patch in life.  The only solace he had was riding, but he had a hard time getting himself to leave the house to go for a ride.  I started asking him to take me for rides.  I’d cover the gas, and we’d ride for hours.

After a while, he said, ‘You know, if you like riding that much, why don’t you get your license and get your own bike.  That way, you don’t have to date some asshole in order to ride.’  My answer was, ‘I can do that?’  It never occurred to me that I could learn to ride a motorcycle.  I had no idea how one learned to ride, but in some part of my mind I think I assumed that if you were a dude, you just automatically knew how, so of course I did not know how.  I didn’t know any women who rode, although that wasn’t a huge factor because I’ve always done things that were non-traditional for a woman.

Learning to Ride a Motorcycle

My friend told me about a motorcycle class for beginners, and I went for it.  I was a nervous wreck.  I have no idea how I passed the riding evaluation, but I did it.  There I was, an endorsed rider with no friggin’ clue how to ride a motorcycle.  This is not a shortcoming of the class at all.  The beginner’s class teaches you how to operate a motorcycle and teaches you the basics of safety, but we never went beyond the parking lot.

The only way to learn to ride a motorcycle, is to ride a motorcycle.  Karan, meet anxiety, anxiety, Karan.  The next three years were a struggle.  I bought the wrong bike, was getting (no) help from the wrong person, and I just never felt comfortable riding.  But I wanted to ride so badly, that I refused to give up.

My stubborn streak served me well.  Just five years after I got rid of the wrong bike, I became a certified Motorcycle Safety Instructor.  I’ve also fallen in love with vintage bikes and long-distance riding.

My First Vintage Motorcycle

When I left a damaging relationship in 2018, I was left with a 1974 Harley-Davidson FLH Shovelhead in my garage that was the most terrifying beast I had ever faced.  That motorcycle needed a lot of work.  It was barely ridable as it sat, and even after I conquered my fear and rode it, it was a physically exhausting—but strangely exhilarating—adventure.  Along with needing major motor, clutch, transmission, and fork work, the bike needed to be completely rewired.  Wrenching still intimidates me even though I will do it, but wiring
 I was pretty sure I could do that.

Quite a few people told me I was crazy and that I would get frustrated and end up hauling it to a shop for them to finish.  They said I didn’t know what I was doing, and I would screw it up and would never finish the job.  My answer was, “So what?  I’m gonna try.”

In winter of 2018, I screwed up the nerve to rewire this beast

Overcoming Obstacles

I did get some help (although it was the wrong help) and I built up some confidence.  I taught myself how to read an electrical diagram and learned to trust my instincts with the bike, people, and myself.  I finally finished the rewire job and took the Shovel on its first journey.  I did a 1,000-mile trip, fixed a few things along the way, and never felt more in control of myself and my bike.

Again, people told me I was crazy to travel on this old motorcycle.  What was I going to do if it broke down?  My answer was always the same, “I will figure it out.”  My second trip on the Shovelhead was 2,000 miles.  During both trips the bike had minor problems, but I got some fabulous stories out of it, and I was forming a bond with that old Harley that I had never had with any other vehicle I have ever owned.

Nothing about riding or wrenching has come easily.  I am grateful to the short list of people who have been so generous with information, advice, parts, and encouragement.  I am also grateful to the longer list of people who tried to derail me, who said I’d never succeed, who tried to sabotage my efforts.  Because in the end, I have shown myself who I am.

The first word I ever read as a child was SHELL. When I saw this aging service station during a motorcycle trip in 2019, I whipped around and went back for a photo. This is either in northern Kentucky or southern Ohio
In 2021 Ernie Barkman crafted this seat rail for me and the Shovelhead’s official name became Atomic Shovel.
I have graduated to hacking up other people’s motorcycles.  This was another parking lot repair in 2021 on fellow vintage motorcycle rider Marjorie Kleiman’s Harley-Davidson FXR.  Photo by Marjorie Kleiman.

As I read Karan’s article, I found two lines that really spoke to me, because they so perfectly mirror my own feelings. First, Karan wrote that, after teaching herself to rebuild and rewire the bike, she:

‘…took the Shovel on its first journey. I did a 1,000-mile trip, fixed a few things along the way, and never felt more in control of myself and my bike.’

That sense of competence and control Karan cites – the sensation I get from knowing my Shovelhead inside and out – is so precious to me. I’m pleased to know it is to her, as well.

She follows that by saying:

‘Again, people told me I was crazy to travel on this old motorcycle. What was I going to do if it broke down? My answer was always the same, “I will figure it out.” My second trip on the Shovelhead was 2,000 miles. During both trips the bike had minor problems, but I got some fabulous stories out of it, and I was forming a bond with that old Harley that I had never had with any other vehicle I have ever owned.’

The bond Karan mentions is why I still get loquacious AF about my Shovelhead after all these years. See previous post, f’rinstance. What can I say? đŸ€·â€â™€ïž The Bitch is in my blood, and my blood, sweat and tears are in hers. 😁

Thank you, Karan Andrea and Women Riders Now for sharing that essay with us. SlĂĄinte!

THE RAT PACK

Came across this earlier today, and of course had an opinion on it! 😏

Fascinating Dull Boy

Posted on September 19, 2019 – Updated on December 8, 2019 by Ron Betist, at https://bikebrewers.com/fascinating-dull-boy/ Article removed from website. See note at bottom of column.

Once upon a time in the Winter Dark

SCANDINAVIAN countries are known for their long dark winters.
Causing those Viking knights to take refuge in their homes, only to come back out again in Spring.
As a Head of Design at a Norwegian distillery, Swedish born (but 1/4th Norwegian..) David Höök is dealing with liquor all day long, so rather than drinking those dark freezing nights away, he was looking for another way to get through the winter period.

Only a couple of years ago he took up the art of customizing when he suddenly had space available after buying a new house.

Softie for Softails

David is a softie for Harley softails and he decided to use this frame for his winter project. The combination with a late generation Evo 1340cc engine felt like the right choice for him. Upon making his mind up he locked himself up in his shed only to reappear in Spring with this ‘Dull Boy’! (see video)

‘Dull Boy’?

The nickname got us wondering where he got the inspiration from.
Looking at the way the bike came out, we would have expected stuff like ‘mean machine’ or ‘nasty nailer’.

David explains: “At first I considered to make it look like a newer H-D Breakout, but then I saw a late night re-run of the 1980’s movie “The Shining” with Jack Nicholson and it has one of my favourite movie scenes of all time where the proverb “All work and no play makes Jack a dull boy” is central.”

“I decided there and then to build the bike based on that and it felt natural to make it look like it had been through a lot. I always plan my builds thoroughly in advance to the smallest of details so I had the everything pretty much worked out to before I started on the bike.”

Please elaborate

Whilst on the subject of sources of inspiration, Bikebrewers team decide to pry a little bit deeper. On our query where his vision for this build originated the Viking builder retorted:

“Being the bike nerd I am, I spend a lot of time looking at bikes on Instagram, Pinterest, etc., picking up ideas here and there. Last year I came upon the work of Joe Morris (Jmoto Speedshop and Gallery) and something clicked.

His work really opened my eyes to drawing and painting on bikes, instead of just painting everything black as I had done on my previous builds. As a kid, I used to spend a lot of time drawing and worked as an illustrator for quite some time, but lost interest in this art along the way.

Thinking of bikes as a “canvas” provided me with at creative outlet that I didn’t know I had missed.”

“Gentlemen, roll up your sleeves and light those torches”

With the creative part in place, it was time to get dirty and dive into the technical stuff. According to David he did not meet too many serious challenges working this project. The only minor obstacle was fitting the Road King rear wheel into the frame. It took him a lot of lathing and grinding to get the job done, but other than that things went fairly easy.

Meeting hurdles during a build often requires outside insights before being able to take the next step. “So David, when was the moment you needed an extra hand? “ we asked him.

“My brother, who has a lathe, helped me turn down the rear pulley to fit the 20mm belt and I left the seat to an upholsterer to cover it in leather. I’ve started to learn to do this kind of work myself now though. I like to be able to do everything on my builds, and I really enjoy working with leather.”

Final words
‱ What do you like the most?
o “The spare fuel bottle”
‱ Anything particular we need to know about this project?
o “It has “All work and no play makes make Jack a dull boy” written in places you would never think of
”
‱ Last but not least, how does it ride?
o “Like a dream”

Details of the build

‱ Estimated budget: € 13-14K
‱ 1998 Harley Davidson FXSTC, nicknamed “Dull Boy”
‱ Stock Evo 1340 with S&S Super E carb, Andrews EV-27 cam, adjustable pushrods and Crane Cams single fire ignition
‱ Cycle Shack drag pipes
‱ Lowered 1.5-2″ front and rear. Progressive shocks and springs
‱ Wheels are from 2009+ Road King. 17×3 with 130×80 in the front and 16×5 with 200×60 in the rear.
‱ Pulley is modified to fit a 20mm belt.
‱ Lower fork legs and brake calipers are also from 2009+ Touring models
‱ Handlebar is a 40″ Highway Hawk Fat Flyer bar.
‱ Headlight a 6.5″ housing modified to house the stock H-D 5.75” headlight.
‱ Mirrors are Arlen Ness mini ovals.
‱ Extended forward controls
‱ Braided brake lines from HEL Performance
‱ Kellermann Atto DF tail/indicator lights
‱ Front indicators are small LED’s from Dock66.de
‱ Custom made seat
‱ Custom made rear fender
‱ Left swingarm bag is from bikebeauty (I’ve added the wear and the lettering).
‱ The right one is from bikersgearaustralia

Builder’s details:
‱ Name: David Höök
‱ Location: Oslo, Norway
‱ Day job: Head of design at a distillery.
‱ E-mail: david@dullboycustoms.com
‱ Website: www.dullboycustoms.com
‱ Facebook: dullboycustoms
‱ Instagram: davidhook

To which I replied:

IMO, rat bikes are organic creatures that evolve over time.  They slowly accumulate a patina of baked-on oil, mud and rust.  They rack up dings and tweaks and cracks, and develop quirks that render the bike virtually unrideable to anyone but its owner.  Maybe a part replaced on the fly doesn’t match the rest of the bike.  Maybe something off a Honda or Hodaka was jiggered to fit your Harley, or vice-versa.  Maybe it’s a Sportster tank on a Knucklehead, an Evo engine stuffed in a Panhead frame, or the forks off a ’66 cop bike bolted to an AMF-era Shovelhead.  Maybe a good road dog gifts you a sticker, a bandana or some other memento, so you slap it on there, somewhere, and it gives you an excuse to tell everyone who asks about the great partner who gave it to you
.


.and so it goes.  The end product (if a rat bike can ever truly be an ‘end product’) is a machine of unquestionable authenticity and experience, skillfully crafted by mileage and time.

Building a ‘rat bike’ is, conversely, the ultimate in poseur pretense and inauthenticity: far worse than throwing mud on the bike you trailered to Sturgis to make it look like you rode the entire way, or taking sandpaper to a new pair of boots to make them look scuffed and well-worn.  People who don’t know any better might think your fresh-from-the-workshop ‘rat bike’ is all kinds of nifty, but you will always know in your heart of hearts that it’s just a facsimile, a knockoff, a cheap shortcut to the real deal.

None of this is intended to take away from David Höök’s abilities as a builder of motorcycles.  He can obviously be thorough, thoughtful and attentive to detail.  Were he to turn his talents to building a proper chopper, or a new twist on the cafĂ© or bobber or street pro, or even a straight-up custom Softail a la the Fat Boy, I feel certain Mr. Höök could create something more worthy of his talents.  If this ‘Dull Boy’ is actually, honestly, the very best he can do, then I fear Mr. Höök truly is a dull boy, and no amount of beer will fix that.

I was eager to see if Mr. Betist might share my critique with his readers. đŸ€·â€â™€ïž Instead, he deleted the entire article! đŸ€ŁđŸ€ŁđŸ€Ł

Images are © David Höök and Dull Boy Customs (https://www.facebook.com/dullboycustoms)

SONNY BARGER (October 8, 1938 – June 29, 2022)

Sonny Barger joined the Hells Angels Motorcycle Club the same year I was born, and was still a member in good standing when he passed away on June 29th, 2022. That’s one long career!

Myself, I never met the man – to the best of my knowledge I never met any member of his club – but Barger was still a big influence in my life. He features prominently in Hunter S. Thompson’s Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (Random House, 1967) and parts of Tom Wolfe’s The Electric Kool-Aid Acid Test (Farrar Straus Giroux, 1968), and my nascent view of what it meant to be a motorcyclist – the life path I’d already chosen for myself – was informed by Barger’s and his brothers’ exploits. Not for me the ‘nicest people on a Honda’ as the infamous mid-’60s advert suggested. I would be a biker….

….and that’s what I did.

HELLS ANGELS ATTACH ANTIWAR PROTESTERS, AND SONNY LEARNS HOW TO USE THE PRESS

Aside from Evel Knievel, who was much more masochist than motorcyclist, Sonny Barger is assuredly the most famous biker in the world, and was in the news numerous times throughout his tenure. For example, after members of the Oakland chapter of the Hells Angels, which Sonny served as President, broke up an antiwar demonstration in October, 1965, Sonny held a press conference in which he foreswore violence against future protests because ‘Any physical encounter would only produce sympathy for this mob of traitors.’ He also read a telegram he’d sent then-President Lyndon Johnson, volunteering his club brothers for ‘behind the line duty in Vietnam’ as ‘a crack group of trained gorillas [sic]’ who would ‘demoralize the Vietcong and advance the cause of freedom.’

Hells Angel MC member Michael Walter is led away after attacking antiwar protesters in 1965.
Sonny Barger holds press conference in November, 1965, to renounce violence against antiwar protesters and read a telegram sent to President Lyndon B. Johnson. He suggested Hells Angels members serving as ‘a crack team of trained gorillas [sic] would demoralize the Vietcong and advance the cause of freedom.’

ALTAMONT FREE CONCERT, DECEMBER 6th, 1969

Hells Angels members on stage at the Altamont Free Concert, December 6th, 1969.

Sonny was also the voice of the Hells Angels after the disastrous Altamont Speedway concert in December, 1969, which resulted in the stabbing death of an eighteen-year-old African American named Meredith Hunter. Although accounts differ as to why they were present, the Angels had been sitting on the front edge of the low-slung stage, acting as a human barrier between the crowd and the performers. Hunter, who had been tossed off the stage by Hells Angels during a previous altercation, returned with a handgun and began waving it around, firing at least one shot into the crowd. Hells Angel member Alan Passaro stabbed and disarmed Hunter, who later died of his wounds.

Rolling Stones singer Mick Jagger prances on stage surrounded by Hells Angels MC members. So many mistakes in such a tiny space — stage built too low to the ground, inadequate professional security to protect performers and equipment, the band’s lengthy delay in starting their set (reportedly because Jagger wanted cover of darkness to go with his ‘Satanic’ imagery) — but the biggest mistake of all was the band’s assumption that American Hells Angels would be the same relatively mild-mannered rough boys as their British counterparts. The Stones had used UK Angels as security at concerts over there, and took for granted that these California blokes would be just as obliging and well-behaved. 🙄

The next morning, as the talking heads on local radio station KSAN attempted to unravel the chaotic stream of events, Sonny Barger called in and gave his club’s side of the story – the only official statement the club ever offered about the concert or the killing. Barger defended his patch holders, telling radio host Stefan Ponek ‘You can say anything you want and you can call them people flower children and this and that, and there was three hundred thousand people there approximately or whatever they say, and I guarantee you that the largest majority of them were there to have a good time, but there was a couple thousand of them that was there looking for trouble.’

Jagger tried to coax the crowd — which had been drinking, drugging and brawling in the hot sun all afternoon — into mellowing out and behaving like good little flower children…. to no avail.

Brushing aside the host’s attempt to cut in, Barger went on to say ‘Some of them people out there ain’t a bit better than what some of the people think of the worst of us, man, and it’s about time they realized it….’

In this screenshot from the documentary Gimme Shelter, ill-fated Meredith Hunter, in the pistachio green suit can be seen brandishing a pistol as his girlfriend Patty Bredehoft, in the white crochet vest, attempts to calm him. Witnesses claim Hunter fired into the crowd, and Barger alleges that an Angel was struck by a bullet from Hunter’s firearm.

The incident at Altamont and Barger’s telephone call to the radio station were captured on film by documentarians Albert and David Maysles and Charlotte Zwerin, and the resulting movie, Gimme Shelter, was released in 1970. One week after its premiere Hells Angel Alan Passaro went on trial, charged with murdering Meredith Hunter. However, when the film was played in court, it clearly showed Passaro acting in defense of self and third parties, and he was acquitted of all charges.

In this screenshot from the documentary Gimme Shelter, Meredith Hunter is taken down by Hells Angel Alan Passaro.
It annoys the fuck out of me when I hear people claim ‘those mean ol’ Hells Angels murdered poor li’l Meredith Hunter.’ đŸ€Ź So far as I’m concerned, Alan Passaro deserved a medal for valor for going up against a wild-eyed gunman, armed with nothing but a knife and brass cojones. His bravery protected his brothers, the performers and stagehands, and every innocent concertgoer in that crowd who could have been wounded or killed by Hunter’s reckless gunplay.
Instead, because he was one of ‘those mean ol’ Hells Angels,’ Passaro was indicted on a charge of murder. However, when the jury say these scenes from the documentary, they voted (quite properly, IMO, to acquit Alan Passaro.
In 1985 Passaro died in a drowning police considered ‘suspicious’ (although no foul play was ever confirmed) but rumors that a second, unidentified assailant may have been involved in Hunter’s death kept the Altamont case open until 2005. In May of that year, the Alameda County Sheriff’s Office dismissed the theory that a second Hells Angel member took part in the fatal scuffle.

HOLLYWOOD CALLS….

American International, filmmaker Roger Corman’s outfit, was responsible for classic biker exploitation films like The Wild Angels, the Peter Fonda/Nancy Sinatra vehicle which helped kickstart the careers of actress Diane Ladd, director Peter Bogdanovich, stuntman Gary Littlejohn, character actor Michael J. Pollard, et alia. Corman was also involce in the production of movies like Devil’s Angels (1967, an underrated classic), Naked Angels (1969), Angels Die Hard (1970), Angels Hard as They Come (1971), The Dirt Gang (1972), The Darktown Strutters (1975, featuring African American women on wildly customized VW-powered trikes! 😼 ), Deathsport (1978), Fast Charlie… The Moonbeam Rider (1979), The Dirt Bike Kid (1985), The Lawless Land (1988), Nam Angels (1989) and Back to Back (1989).

Given the Hells Angels’ hard-won reputation as thuggish brutes prone to violence and lawlessness, Barger was preternaturally media savvy – an excellent spokesman for his club and a wily self-promoter. He finagled parts for himself and other Angels in a couple of biker films – Hells Angels on Wheels with Adam Roarke and future Easy Rider star Jack Nicholson, and Hells Angels ’69, starring ’60s heartthrob Jeremy Slate, who later played the biker gang leader in The Born Losers.

In his memoir, Sonny reports that ‘Sweet Cocaine’ (pictured above, on the set of the Hell’s Angels ’69 movie) was stolen while he was running errands one day. A few brutal hours later, he had his bike back, and the thieves were paying a dear price for their poor decision-making.

….BUT SO DO THE COPS

Barger was also in the headlines for numerous arrests on charges ranging from drugs and weapons charges to conspiracy and murder, and, while acquitted of the more serious charges, still spent several years in prison. During this time he gave several interviews to motorcycle magazines, including two for Supercycle, published in February and December, 1979.

Sonny speaks, and the ‘Voice of the American Biker’ listens.

SONNY BECOMES AN AUTHOR

During these years, and despite his numerous legal woes, Sonny discovered that he was a marketable commodity. The ‘Free Sonny’ t-shirts his wife sold during his incarceration were wildly popular, and other merchandise soon followed, but he really hit the jackpot when he teamed up with writers Keith and Kent Zimmerman and penned his memoir, Hell’s Angel: The Life and Times of Sonny Barger and the Hell’s Angels Motorcycle Club (William Morrow, 2000).

The book quickly became a best-seller, so he followed up with two biker-themed crime novels also co-authored by the Zimmerman Brothers – Dead in 5 Heartbeats and 6 Chambers, 1 Bullet (William Morrow, 2004 and 2006). He released a collection of road tales titled Ridin’ High, Livin’ Free: Hell-Raising Motorcycle Stories (William Morrow, 2003) and Freedom: Credos from the Road (William Morrow, 2005). Finally, with Darwin Holstrom, he co-authored Let’s Ride: Sonny Barger’s Guide to Motorcycling (William Morrow, 2010) in which he dissed American motorcycle manufacturer Harley-Davidson, for decades the only motorcycle Hells Angels were permitted to ride. In what can only be seen as heresy by those loyal to the brand, Barger wrote:

In terms of pure workmanship, personally, I don’t like Harleys. I ride them because I’m in the club, and that’s the image, but if I could I would seriously consider riding a Honda ST1100 or a BMW. We really missed the boat by not switching over to the Japanese models when they began building bigger bikes. I’ll usually say “Fuck Harley-Davidson.”

Sonny Barger

Sonny’s final contribution to the literature of motorcycling seems to be his massive scrapbook-styled tome, Sonny: 60 Years Hells Angels, published by the French imprint Serious Publishing in 2017. Copies are currently listed on Amazon at $357 USD! 😳 I swear, I did not pay even a fifth of that for my copy! 😎

Anyway, here is the first of the two 1979 interviews:

Supercycle, February 1979
Supercycle, February 1979
Supercycle, February 1979
Supercycle, February 1979
Supercycle, February 1979
Supercycle, February 1979

If enough folks are interested, I’ll post the second interview soon, along with some other articles about this and other clubs.

AS NOTED ABOVE: I am not associated with the Hells Angels Motorcycle Club (or any other club) and am only posting these images and this information in the interest of preserving and sharing the collective culture and history of the motorcycling world for historians and bikers like me, who are fascinated by it all. SlĂĄinte!

SLOW, MAYBE, BUT THE REST? NOT SO MUCH!

I found the following article at: https://www.rideapart.com/news/255186/why-i-ride-a-slow-uncomfortable-unreliable-noisy-motorcycle/ and felt obliged to add my twenty-two cents…. y’know, with inflation and all….

Why I Ride a Slow, Uncomfortable, Unreliable, Noisy Motorcycle

Why I ride a Harley-Davidson with 17-inch ape hanger handlebars, a massive sissy bar that has the technical sophistication of a very large lawn mower?

Photo by Anne Watson, annewatson photography

May 28, 2013 at 1:29pm ET by: Tim Watson

If you ever saw my motorcycle you’d think I was a complete idiot. You would ask yourself why on earth would someone ride something with 17-inch ape hanger handlebars, a massive sissy bar that looks like a throwback from an early 1970s biker film bolted to a motorcycle that has the technical sophistication of a very large lawn mower?

It’s also noisy. Very noisy. Under hard acceleration it sounds like a moose bellowing as if someone had just slammed its testicles in a car door.

I honestly didn’t want it to be like that. But when my bike left the Harley-Davidson factory its stock engine set-up meant it ran so lean that the heat from the air-cooled motor made it almost impossible to ride here in California when temperatures climb into the 80s.

So I changed out the stock pipes. But then I was told I needed a new air filter and a re-map of the engine. All of that didn’t make my motorcycle much faster but it did suddenly come alive. And it sort of cooled down.

Its exhaust can be truly obnoxious which is why I ride with a light hand on the throttle in built-up areas. When there’s nobody about and just me and an open road I revert to the moose bellowing. But after a while it can make even my head hurt and then I wonder about my sanity and why I ride this damned bike.

I have read and re-read the countless things I could do to make its V-twin 96-ci engine faster and perform better. But I’m not convinced. I look at my bike and I am not sure that it is either.

At idle it shakes like a carnival ride and if I look down for too long the vibrations make my vision go blurry and then my hands go numb.

I hate the fact every single bolt and fastening has to be glued in place to stop them falling out. Before each ride I always have to check it over so it doesn’t leave me standing at an intersection with nothing more than the handlebars, a seat and a pile of parts.

The ape hanger bars were an after thought. I’d seen some of the Mexican low rider motorcycles in my neighborhood with mean looking dudes using them on their bikes.

I’ll admit they look preposterous (not the Mexican dudes) and I have lost count of the number of people who ask me precisely why I have them. I can’t give them a satisfactory answer. I just like ape hangers.

I did have an idea once of how I wanted my bike to look. I thought a sort of 1950s bobber style with some classic retro parts. But it’s become a bit of a mish-mash and not quite how I envisaged it would turn out.

Photo by Tim Watson

I paid good money for a special order 32-inch sissy bar for the back of my bike. Some people have said looks like I am riding a remote control motorcycle or others have asked if I ever receive radio wave interference through it. It serves absolutely no purpose, rattles like hell all the time and makes getting on or off the bike a contortionist’s act. But I like the way it looks.

In a moment of madness I once took the front fender off. But this resulted in the bike and my face being sand blasted from road grit. Even an artfully tied bandana between the forks when it rained meant all that happened was a jet of water was thrown off the tire and straight up my nose. In a matter of hours the fender went back on.

I also kept the stock solo seat too. But if I were honest it would be more comfortable sitting on a piece of cardboard. There’s no back support and I feel I can ride over cigarette butts and tell you if they’re filtered or unfiltered. But I like the feedback from the road that it gives me even if on long rides it kills my back.

There’s an ugly gash on my bike’s left peg where I thought I could easily squeeze between a parked car and a wall to ride down a back alley. And there’s a dent the size of a dime on the front of the gas tank, caused by a rock flung out of a truck tire on the freeway. I’ve left it as a reminder of what that would have done to my face if the rock had hit me.

The factory fit rear brake light, which some say looks like a limp chrome dick, works intermittently. The rudimentary fuel gauge that may well have come off a 1960’s child’s pedal car some times pops out of the tank when I least expect it.

And I constantly have to check the primary plug for leaks as I over torqued it once during an oil change and stripped the thread. The chopper-style headlight I bought for it and which replaced the perfectly serviceable original light, is about as useful as a candle in the wind. But in daylight and probably only to my eyes it looks good.

Of course there are far better bikes out there I could have bought. There are many that are faster and nicer looking that probably have more engineering sophistication in their front brake lever than my entire motorcycle.

But herein lies the problem. For everything that irritates me about my bike it always without fail makes me smile every single time I get on it.

I have ridden it through empty deserts, up mountains and across, around and through nine states covering more than 8,000 miles in the process. I have nearly been taken out by an 18-wheeler on a downhill mountain pass and I once ran over a rattlesnake with it in the Mojave Desert.

My bike has taken me though some astonishing U.S. backwater towns in 100 plus degree heat and then a few hours later up into the mountains and over snow covered roads.

And, just like legendary Western lawman Wyatt Earp, I too once rode into Tombstone, Arizona, on it.

It’s my motorcycle. It drives me nuts at times but it’s been through a lot with me and has now become a part of my life. And for that reason alone I will never, ever sell it.

And my response? Well, it’s like this….

Why I Ride a Slow, Uncomfortable, Unreliable, Noisy Motorcycle

  Bill J. from Austin â€ą 2 days ago â€ą edited

I too ride a motorcycle that is slower than the latest whiz-bang showroom models, but then, its powerplant is a forty-eight-year-old shovelhead which was tractor-engineered at birth and is still virtually box stock. It is smaller than the smallest late-model engine, still fitted with its factory carburetor and cam, rudimentary exhaust and (gasp!) a points-and condenser ignition system! That’s downright barbaric, isn’t it? and especially when you realize that my motorcycle has never had an electric starter. That’s right; kick-start only, kids, just the way Grandpa did!

My shovelhead does have solid lifters – more for reliability and convenience than performance – and a belt-drive primary. However, the belt is for convenience, as well, and whatever low-end performance boost it might have provided has been offset by the 25-tooth countershaft sprocket I installed to regain my highway top-end. My bike is built to go places, but I don’t have to break any land speed records making the trip.

And when I say ‘built to go places’ I mean that in every sense.

My motorcycle is not uncomfortable. It began its life as a 1974 FX 1200 Superglide, with the heavy OEM swingarm frame and lightweight narrow-glide forks. I played with different saddles and handlebars, added highway pegs and a set of wide-glide forks off a 1966 Police Special, but my motorcycle never became truly comfortable on long rides until I switched from the stock swingarm frame to an OEM 1954 rigid wishbone.

Me and The Bitch (and Rob Darnstaedt’s Low Rider) at the Terrace Apartments off South Congress Avenue in South Austin, circa 1979 or early 1980.

I can hear the Greek chorus now, shouting ‘Impossible! Absurd!’ but it’s true, nonetheless. With the rigid frame and a frame-mounted LaPera butt-bucket saddle, I have ridden all over the Central Plains and Rocky Mountain States, from Texas to South Dakota, from Louisiana to Arizona – numerous 500- and 600-mile days, at least one 1000-mile day, a lot of back roads and goat paths and well over a half-million miles all told – and never once regretted converting to a rigid frame.

Me and The Bitch at Sturgis, 1982.

And if you’re interested, my comfort depended on the way I set the bike up at the start, the way I pack for road trips and the way I learned to ride a rigid-framed motorcycle. It’s different than a swingarm

My motorcycle is not unreliable, either. Despite its origin as a ‘bowling ball bike’ manufactured during the worst of the AMF years at the Motor Company, when factory workers were allegedly sabotaging bikes in order to get back at miscreant management, my shovelhead was never an unreliable machine. In addition, I’ve had my fingers in every subassembly on my motorcycle, from handlebar wiring to wheel hubs, and did my damnedest to rebuild them right. That means plenty of Nylock, Loctite, lock-washers and safety wire, and the systematic removal of anything the bike does not need to function the way I need it to. No chrome covers or extra gewgaws; no colored lights or (shudder) a stereo; not even turn signals.

As a result of stripping my bike down and securing every part on it the best I possibly can, parts rarely vibrate loose. As a result of simplifying every system on the motorcycle the best I possibly can – seven wires for the entire wiring harness, for instance, rather than the seemingly endless coils of brightly-colored 16-gauge snaking hither and yon – I can usually troubleshoot problems with little fuss. As a result of knowing my motorcycle’s innermost workings, I am able to repair all but the most serious breakdowns parked under the nearest shade tree.

Finally, as a result of my efforts, I can count on one hand the number of times in the past 43 years my shovelhead has been forced to ride home in the back of a truck, with fingers left over.

And my motorcycle is not particularly loud, either. Louder than a Prius, yes, but so is a hummingbird fart, and my shovelhead is far quieter than a good many late-model Harleys. It is also a damned sight less irritating to adult ears than the wind-tunnel shriek of many metric sportbikes, whose riders are, ironically, so quick to whine about Harley riders giving them a bad name. Let’s not forget that’s a two-way street, kids.

And you will never find me parked outside some chic cafĂ© with a lovely open-air patio, rapping on my open exhaust pipes as hapless diners cover their ears, or racing into my neighborhood in the wee hours, setting off car alarms and rattling window glass as I screech to a halt in my driveway. I have this funny thing about treating people as I’d want to be treated, see, and I wouldn’t want some overgrown man-child on his midlife-crisis-mobile destroying my peace and quiet.

See how easy that is?

But what is so compelling about a motorcycle with few creature comforts and only the bare minimum of safety equipment? Why would I choose it over a newer, faster, sleeker model with all the latest whistles and bells, and stick with it for almost four and a half decades?

Well, for me it’s like this:

Recent years have proven that anyone with a large enough credit limit can own a Harley-Davidson, a Victory or ersatz Indian, a Triumph, Moto Guzzi or Ducati, or any of the Pacific Rim brands. A swipe of the gold card, a push of a button, the snick of a gearshift and voila! Instant motorcyclist!

Bill kickin’ The Bitch circa 2002.

But how many of those men and women can climb aboard a motorcycle with a forty-eight-year-old engine cradled in a sixty-eight-year-old frame and pushing fifty-six-year-old front forks, and do the things I’ve done with it? How many can ride that motorcycle from Denver to Austin in a day after a week of 500-mile days, kickstart that engine on an icy-cold morning in the South Dakota Badlands or a hurricane-drenched night in Houston, or navigate the Black Canyon of the Gunnison with nothing but mechanical brakes and a four-speed transmission between them and the canyon rim? How many can tear down the better part of their bike at the roadside and put it back together again, and actually make it run? How many would even be willing to try?

I know I’m not the only greybeard out here on a rigid-framed dinosaur of a motorcycle. There are plenty of panheads and knuckleheads in daily use here and around the world, ridden by bikers who do every one of the things I’ve mentioned here. However, a lot more people can’t do those things than can, and I really enjoy being part of that smaller circle.

Bill and The Bitch, still together all these years!

Nelda and Louis Schange

You may have noticed that I used to write for some of the magazines, back in the day. In the course of that pursuit I interviewed a woman whose husband ran a chopper shop in Killeen, Texas, in the late ’60s and early ’70s.

Louis Schange was killed in a freak bike accident in ’72, and when I met his widow, Nelda, in 1994, she still had all the photo albums and memorabilia from those days. She had a 1934 VLD in the shed (!) which she’d just sold to an American living in South America. She also had plenty of tales to tell about jumping on the bike to go touring several states, or hopping aboard and riding to Ohio just to take part in a hill climb
 She had all sorts of adventures like that.

Nelda Schange and her daughter, Joy, in 1954. Joy was the one child who loved motorcycles as much as her parents. Sadly, she passed away at the age of 40.

As we leafed through the photo albums I said ‘These photos should be in a book, or a museum! There are several motorcycle museums that would love to have this stuff!’

Nelda shrugged and said ‘Oh, my children will probably just throw them out when I die.’
😳
That broke my heart. The only one of her kids who liked motorcycles died a young woman, and the others didn’t give a shit about her, her life, their own father

😡
I tried to get her to let me take the albums and copy them, at least but she wouldn’t cut for that. She let me take some pics of the VLD, gave me two photos for the article, and gifted me a vintage dealership sticker her husband picked up in Hawaii. She would not budge on the rest.

Nelda with her panhead in 1960

I published my interview, and tried to keep tabs on her through the friend who introduced us, but she died before I could even make another run at her, and I heard from her brother-in-law, who I met many years later, that her prediction came true. All that history lost!

It still breaks my heart. 😱

Nelda with Louis’ 1934 Harley-Davidson VLD. She maintained the bike for twenty-two years after Louis died, cleaning and lubricating it. I asked if she’d ever ridden it herself, and she said ‘Oh, no! That was Louis’ bike.’

A last note: take a moment to look at the photo above, and really think about what it represents. Twenty-two years after her husband died on a motorcycle, this woman – who looks like your average housewife – was still dedicated enough to his passion (and hers) to keep the VLD cleaned, properly lubricated, et cetera. She was dedicated enough to the love of her life to keep his memory alive, and retain all those souvenirs of their life on two wheels.

How many people would do that?

The VLD, ready to go to its new owner. So much history!


In Memory of Nelda and Louis Schange. RIP.

Now, that’s a stupid question!

What’s the point of all this?

On a Q&A forum I found the following question: What is the point of riding on a motorcycle other than looking “cool.” Are there any physical advantages as compared to a car? I know the old adage says ‘the only stupid question is the one you didn’t ask,’ but the question that poster posed is dangerously close to a stupid question. I borrowed one reader’s answer as a starting point for my own rant.

The ‘point’ of riding a motorcycle is to ride the motorcycle. It is difficult to explain to someone who has never experienced it.  People bandy about words like ‘freedom’ and ‘exhilaration’ but they are weak sauce compared to the reality.  The reality is so, so much more.

Me and my ’74 shovel (aka ‘The Bitch’) in West Texas enroute to Alpine. Man, I just love West Texas!

Again: the ‘point’ of riding a motorcycle is to ride the motorcycle.

It is difficult to explain to someone who has never experienced it.  People bandy about words like ‘freedom’ and ‘exhilaration’ but they are weak sauce compared to the reality.  The reality is so, so much more.

Me and The Bitch riding through the Black Canyon of the Gunnison, in the Colorado Rockies.

Seriously, how do you describe the challenge of leaning into a hard curve on a twisty mountain road in the Colorado Rockies, just a hair’s breadth from the high side that’s gonna hurt like hell if you don’t maintain your line?  What words can match balling through the New Mexican desert alone on a star-studded night, with ghost shadows marching across the sands as the chill night air seeps through the seams in your leather jacket?  Can language even begin to capture the feeling of blasting through the heart of Dallas on a Saturday evening, twenty or thirty of you in a pack, so there in that moment – so large and loud and alive – that the straights in their cars instinctively move aside to let you pass?  How do you tell someone who’s never been there about rocking through a mountain pass on a chilly autumn morning, sun at your back and your best road dog at your side as you crest the Continental Divide and rumble down into the Black Canyon of the Gunnison?  Can you make any sense at all of the delight you feel waking up in a rain-soaked tent in Rapid City, South Dakota, on your way to the annual rally at Sturgis, and laughing about it because Who fuckin’ cares? We’re at Sturgis, baby!  

Into every life a little rain must fall…

And if that’s hard, try explaining how even the ‘bad stuff’ gets good, later. Things like riding through the wake of a hurricane in downtown Houston, water so high on the road that it’s burbling and bubbling at the ends of your exhaust pipes and dousing your ignition system. Things like spending a sleepless night camped on the banks of the Rio Grande, kept awake by the bitter cold and the new traveling companion who neglected to mention that he snores like a fuckin’ buzzsaw.

This is me riding through the Black Hills of South Dakota, doing a little sightseeing during the annual Black Hills Classic Motorcycle Rally, a gathering of the tribe that’s been going on since 1938.

Things like kneeling in the mud in a pouring rainstorm to help a stranger get his motorcycle started, because the biker’s code says you never leave another rider behind. Things like facing off with a shotgun-wielding deputy sheriff who is screaming at you and your buddies to get those goddam bikes out of there before he arrests the lot of you, because one of your buddies can’t get his bike started and the biker’s code says you never leave another rider behind. Things like your buddy suddenly remembering, after twenty minutes of trying to kickstart his shovelhead, that he installed a hidden kill switch as a security device just last week, and Oh, yeah! That’s why my bike won’t start
.

One of my favorite works by Dave Mann: a loving couple two-up on a nice Spring day. Dave Mann’s monthly centerfold paintings for Easyriders captured every aspect, from the quiet pleasure of a run up the Pacific Coast Highway….
….to the drag of getting beefed by some biker-hating cop. and everything in between.


.because every biker knows the best stories are the ones that really sucked in the moment.

Are there physical advantages? Well, let’s see…

Me and The Bitch and the Marlboro Man’s Softail on Skyline Drive, above Cañon City, CO.

There’s the fact that you’re out in nature, breathing fresh air, instead of being cooped up in a cage with the air conditioner on, guzzling fossil fuel and contributing to global warming. And let’s remember that motorcycling is not a sedentary activity the way driving a car is, either. The constant shifting of weight and the tensing and relaxing of different muscle groups actually burn calories, really, and help you maintain a healthier body. Add a kick-starter to your machine and you can just about sell your Nautilus!

Look at the grin on my face. I am on a motorcycle I just rebuilt from the ground up: new paint, polished aluminum, a few chrome touches like new exhaust pipes and handlebars…. There are few finer feelings in this world than what I was feeling in that moment. I wasn’t posing or profiling or showing off. I was just grooving on the feeling: my Harley, the wind, a bunch of good friends all riding together, heading for a party. I didn’t know someone was taking pictures, and didn’t even know the photographer, but sometime later he came into the motorcycle shop where I worked and gave me several excellent photos made that day. Wish I could remember his name (and if you see this, Mr. Photographer, shoot me a kite, eh?) but wherever he is, I bless him!

And for most riders there is also an emotional benefit to being in the wind. You see it in the slogans on biker t-shirts: Four wheels move the body, two wheels move the soul; Sometimes it takes a whole tank of gas before I can think straight; and You never see a motorcycle parked outside a psychiatrist’s office. I know that, for myself, nothing can clear the cobwebs and help me forget about a crappy day like some time in the saddle. It’s two-cylinder meditation. My mind is focused on the ride – the shifting of gears, the changes in pavement texture and potential hazards, traffic patterns, the weather, et cetera – and tending to all that frees your mind from the weight you carry.

To quote Jackson Browne: ‘It’s a peaceful, easy feeling…’

There are also the benefits of being a smaller vehicle in traffic, in those enlightened states that permit motorcycle ‘filtering’. This is the low-speed lane splitting which allows motorcyclists to work their way through stopped traffic. It gets them where they’re going faster and reduces carbon emissions. It also eases overall traffic congestion, which helps get everyone moving faster, further reducing emissions, et cetera. A real win-win. I just wish the Texas legislature would get on that bandwagon, rather than all the horrid, hateful ones they have seen fit to climb on lately.

I was in a pack of thirty or so motorcycles when we stopped for lunch at a roadhouse. Before we could get back on the road, we were surrounded by heavily-armed law enforcement officers, who drew down on us with AR-15s. They proceeded to run every one of us through the mill – driver’s license, tag number, VIN – just because they could; just to inconvenience us, just because that many bikers in one place absolutely must mean something criminal was going on. They did get one guy, who had an outstanding warrant, but had to let the rest of us go.

Finally, in cities where land is at a premium, and motorists are desperate for parking spaces, motorcyclists require much less space than cars and trucks. If office buildings, colleges and malls would provide secure parking for motorcyclists, they could reduce the demand for parking by the drivers of full-sized vehicles, and again, contribute to lessening carbon emissions, fuel consumption, global warming, and so on.

So, it’s all that and more, and you notice that none of that has sweet fuck-all to do with being ‘cool.’  We ride because we’re riders.  We don’t know any other way to be.

Your mother did warn you about me, right?